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Prologue

Late at night on the evening Russia invaded Ukraine, Ira talks to two people who escaped to Lviv, near the Polish border: a woman we call Natalie, and the Ukraine Correspondent for The Economist, Richard Ensor. Natalie’s harrowing story about escaping Kyiv is not the sort of war story that makes you think, "I can't imagine what it'd be like to go through that.” In fact it’s just the opposite.

Prologue

Ira tells the story of how Oscar Ramirez, a Guatemalan immigrant living near Boston, got a phone call with some very strange news about his past. A public prosecutor from Guatemala told Oscar that when he was three years old, he may have been abducted from a massacre at a village called Dos Erres.

Act Four: What's Arabic for Fjord?

The podcast and stream versions of the show include a story here that is not included in broadcast. It catches us up with an Iraqi translator named Basim, who fled the country to Norway after his life was threatened because he aided the American forces.

Prologue

Host Ira Glass speaks with reporter Larry Kaplow and producer Nancy Updike, who spent a month in Iraq as the US combat mission was ending, in August 2010, talking to Iraqis. They play excerpts from a conversation they had with a Shiite professor—who had pizza recently with a Sunni friend, and realized just how tense things still are in Iraq.

Additional This American Life Stories On The War in Iraq

Private Contractors True Number of Iraqi Deaths Lessons Learned in the War Soldiers' Stories Soldier Bloggers A House in Baghdad Citizen-Diplomat Tries to End the War Two Random Guys Try to Help Trying to Rebuild Iraq Start of the War And on the aftermath: Talk to an Iraqi - from TV series Sam Slaven

Prologue

Dal LaMagna, millionaire and creator of the Tweezerman tweezer, prepares to go to Iraq on a diplomatic mission he invented for himself—despite concern (and mocking) from his own sister.

Second Half Prologue

Ira speaks with Milt Hileman of the Center for Army Lessons Learned about the single most-requested publication they put out, Soldiers' Handbook: The First 100 Days: Tactics, Techniques, and Procedures. It explains how to avoid getting killed in your first hundred days in Iraq, which is when a disproportionate number of U.S. casualties occur.

Act Two: Not Just A Number

Captain Ryan Gist was given a particularly tough assignment in Iraq: To build relationships with a town where U.S. bombs had killed twelve innocent people. But first he has to apologize to the families of those who were killed.

Act Three: The War This Time

The Lancet's new study of deaths in Iraq, by the same research team that did the earlier study, yielded an astounding number—650,000 civilian deaths. Producer Alex Blumberg talks to Ira about the debate over this new study.

Prologue

We're a nation at war, but it hardly feels like it. That contrast is especially jarring for people like Hannah Allam, who just returned home to Oklahoma after two years in Baghdad running the Knight-Ridder Newspapers bureau there.

Act Three: What Do We Do With These Numbers Anyway?

So if, in fact, 100,000 Iraqis died because of the war—and that number is a year old—what do we do with that number? It instantly brings you to all these imponderable questions about what's worth 100,000 dead. In a way, this doesn't seem like a helpful question to think about.

Act Three: Realism 101

It's possible that the most compelling arguments against the war with Iraq, and the most compelling arguments for the war with Iraq, are arguments you've never heard. Ira talks with journalist Nicholas Lemann from The New Yorker magazine about two ways of seeing the war: The so-called Hawks' view, and the so-called Realists' view.

Prologue

Host Ira Glass explains that if we're going to war—as the President keeps promising—it's hard to understand what's in store for us. Today's show is an attempt to figure that out.

Act One: The Situation In The Field

For a few days after the attacks on September 11th, it seemed like we were just on the verge of bombing and retaliation. But two weeks went by, and no military action had begun.

Act Two: Letters To Home

One way to understand what war will be like is to understand what past wars were like. Andrew Carroll recently started something called the Legacy Project, which collects letters Americans wrote home during wartime, from the Civil War up through the conflicts in the Persian Gulf and Bosnia.