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Prologue

Host Ira Glass talks with Adam Mansbach about what happened when he went looking for an apartment and was mistaken for someone else. Adam is the author of the book Go The F*** To Sleep.

Prologue

Host Ira Glass talks to Cory Simmons and Dominique Mapp, who were driving home one night and were followed by a group of rowdy men in an SUV. The men tailed them for miles and then started firing a gun at them.

Act One: Untouchables

To understand how Cicero reacted when Hispanics started flooding into town, you have to understand how it dealt with conflict in the past. For a period the town was run by Al Capone, and the mob was connected to Town Hall for most of the twentieth century.

Act Two: The Inevitable

In the 1970s and 1980s, a wave of non-white migration into Cicero begins, this one primarily Mexican-American. The head of the political machine is named Betty Loren-Maltese, whose husband, now deceased, was convicted for mob-related activity.

Act Three: War By Other Means

Despite the town's resistance, Hispanics now make up three quarters of the population. And yet the incumbent Town President, Betty Loren-Maltese, seems likely to win the next election.

Act Three: Notes From A Native Daughter

Is Paris still the racially tolerant place that Richard Wright and James Baldwin discovered in the 1940s? Janet McDonald talks about whether African-Americans are still welcomed in Paris so warmly, even after a half century of African migration to the city. Also: Why it's sometimes better for her to put on a bad American accent.

Prologue

Host Ira Glass describes the moment when black single mothers became a national political issue—and a national symbol. It was 1965, when a young Assistant Secretary of Labor named Daniel Patrick Moynihan issued a report calling for action on the issue of African-American single mothers, and black leaders, including the Rev.

Prologue

Host Ira Glass with Eddy Harris. The first time Eddie set foot in a black nation in Africa, a man at the border found out he was an American—a black American—and said "Welcome home." But Eddy Harris says the Motherland doesn't really feel much like home.

Prologue

Host Ira Glass describes what thousands of people do all over America on our holiday weekends: we go to historic sites with our kids and stare at bricks and statues, trying to feel some connection with the past. It's not easy.

Prologue

Ira reads from an editorial from a 1957 newspaper in Jackson, Mississippi. It tries to scare white southerners about the NAACP by describing a Chicago human rights campaign called "Take a Negro Boy Home Tonight." The idea behind the campaign? "Racism can be combated by intimate relationships between Negro boys and white girls." No such campaigns really existed in Chicago.

Act One: Interracial Marriage

Rich Robinson's father is black, his mother is white. They married during the civil rights movement, believing the whole nation was moving toward greater and greater integration.

Act Two: Economic Integration

Cedric Jennings grew up in Southeast Washington, in one of the poorest communities in the country. Wall Street Journal reporter Ron Suskind followed him for over two-and-a-half years, as Cedric tried to make it through high school and work his way into an Ivy League university. Once he gets there, he discovers that all the qualities that got him out of the ghetto make him an outcast in the Ivy League.

Prologue

More than England, or Japan or Israel.... When we think of South Africa, it's a more interesting mirror of the United States than nearly any country, because we glimpse a distant echo of the most frightening parts of American society — and the most inspiring.

Prologue

Host Ira Glass, with a recording of a 1962 Frank Sinatra, Dean Martin, and Sammy Davis Jr., appearance at the Villa Venice, a club outside Chicago. What's fascinating about Sinatra is how he is so many different people at once, and they're all on display in this recording: sentimental crooner, cruel woman-baiter, bully, goofball.