Kirk sleepwalks through an open window and into a completely different life. He explains how he starts compiling a list of Iraqis who’d worked with the U.S. government after the invasion, whose lives were now in danger because of that.
There are 17 results
To get a sense of what may be broken about our process for bringing these Iraqis into the US, the ones who worked with US forces and who believe their lives are now in danger because of that, Kirk Johnson tells Nancy Updike about one guy. Almost a year of his emails were forwarded to Kirk, who printed them out and started to realize that he was looking at a dead man’s attempt to immigrate to the U.S.
Last summer when Nancy Updike was reporting in Iraq, Sarah, an Iraqi woman in her 40s, was her interpreter. But it wasn't the first time Sarah had had that gig.
Host Ira Glass speaks with reporter Larry Kaplow and producer Nancy Updike, who spent a month in Iraq as the US combat mission was ending, in August 2010, talking to Iraqis. They play excerpts from a conversation they had with a Shiite professor—who had pizza recently with a Sunni friend, and realized just how tense things still are in Iraq.
To understand where we are today in Iraq, we tell the story of one Iraqi, Saad Oraibi Ghaffouri Al-Obeidi, also known as Abu Abed—a man who fought alongside the US during the surge, and is now in exile—and what he saw, and was part of, over seven years of the war.
Larry and Nancy head to Diyala Province north of Baghdad, and meet with a mayor and a member of the provincial council—like a state legislature—to see why is politics in Iraq utterly stalled.
The worst violence ended two years ago. Iraq is stable.
Producer Nancy Updike speaks with Specialist Lindsay Freeland of the Oregon National Guard about the trips Freeland takes at night in Iraq, providing security for convoys heading to forward operating bases.
This American Life producer Nancy Updike tells the story of Conrad Crane, the head of the U.S. Army Military History Institute.
Radio reporter Adam Davidson went to Iraq to report on the war. He decided that rather than living in some journalist compound in the Green Zone or in a big hotel—places insurgents were more likely to attack—he'd fly under the radar, and keep safe...by renting a house in a residential Baghdad neighborhood.
The private security guys (from a company called Custer Battles) who guard Baghdad International Airport usually get along fine with the U.S. military personnel stationed there—except when Nancy happened to be taping, and a huge fight broke out.
A former military man, Hank was hired by Custer Battles to clean up one of its other Iraq operations, guarding businessmen. He has a very clear idea of who he wants working for him: "flat-bellied, steely-eyed professionals." Instead, he's trying to tighten up a outfit whose workers once engaged in an extended firefight at a Baghdad hotel—against each other.
The Green Zone is where the Coalition Provisional Authority has set up its headquarters, and the former seat of Saddam Hussein's government. Nancy ends up at a hidden restaurant by a helipad, with workers for Fluor Corporation, who have just arrived in Iraq to fix power plants.
On their way out to a power plant, Nancy and Lee, a supervisor for Fluor in Iraq, get shot at by men in a BMW. When they finally get to the plant, Nancy learns why it's been so difficult to get power plants running again in the country.
Karen Hahn, who works for Custer Battles at the airport, started out there screening women passengers—and learned a lot from their handbags. Unlike most people Nancy met in Iraq, Karen is not a former military person, she doesn't work with guns or big machines, and she's never been happier in her life.
Hundred of Iraqi police officers have been killed since the United States invaded Iraq. One Boston cop, Jerry Burke, is trying to keep them on the job, and train them in Western police practices.
Nancy finally gets Hank, the Custer Battles employee, to answer the question of whether he ever has any reservations about his mission—or the country's mission—in Iraq. (3 minutes)John Kimbrough composed original music for this week's show.