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Act One: When You Talk Music

Dael Orlandersmith's funny, moving story from her Obie-award winning show Beauty's Daughters. Though she's an African-American woman, she transforms herself in this story into a loudmouthed Italian guy. At a wedding, this character meets a woman who reminds him of who he was before he got married and had kids: a guy who loved jazz, a different guy than he is now.

Act Two: A Brother Who Struggles To Be A Star

Radio producer Dan Gediman's story about his older brother, "Alex Jones," who he idolized when they were kids. After many unsuccessful attempts to become a rock star, he finally made it in music, as a Tom Jones impersonator.

Act Three: Choosing Fandom

A reading from the zine Motorbooty about the crisis of World Band Overpopulation. Then, This American Life contributor Sarah Vowell on someone who is not part of the world band overpopulation problem: Scott Lee, the world's greatest fan of the Fastbacks, a respected, semi-obscure Seattle alternative band.

Act Four: A Life In Music

Ira with Sam Franco, a 72-year-old Chicagoan who spent his life playing and teaching accordion. He never became famous.

Act Two: Father's Music

Sherman Alexie's story "Because My Father was the Only Indian Who Saw Jimi Hendrix Play the Star Spangled Banner at Woodstock." (15 minutes)

Act One: Texas Girl

Jo Carol Pierce released a CD, "Bad Girls Upset by the Truth," which documents in part her teenage years. Host Ira Glass shares a couple of songs from the CD and some of the stories behind them.

Act Two: Suburban Girl

Chicago writer/musician Rennie Sparks, a member of the independent band The Handsome Family, reads "Skanks," a story of a girl struggling in a situation where some rules are strict, but other rules are up for grabs.

Act Four: 1000 Women Become Selena

Eighteen-year-old correspondent Claudia Perez goes to an audition where a thousand Mexican women and girls dress up to play the slain Mexican pop star Selena in an upcoming film about her life. Feelings about Selena run so high that when her fans talk about her, they often cry.

Act Two: Baltimore

Ira plays tapes of his own father, Barry, who was a radio deejay in the mid-1950s. Barry gave up spinning records when he decided that he couldn't make a decent living at it, and for over a decade he was against his son going into radio, not wanting him to waste time the way he did.

Prologue

Host Ira Glass talks about recently released archival television interviews with the Beatles, who suddenly seem a little less magic — and a lot more pedestrian (4 minutes).