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Prologue

Ira talks with two New Yorkers on their reactions to seeing something they could never have believed possible. They acted in ways that they never had before, just ran around and around in circles.

Prologue

Reporter Mark Arax spent three years investigating the murder of his father and yet he's still not at peace when he thinks of his dad's death. (His book is called In My Father's Name.) This is how it goes sometimes: We create a story that tries to explain our lives, and it still leaves so much unanswered.

Prologue

Host Ira Glass talks with Paul Feig, who as a sixth-grader, at the urging of his father, actually read the Dale Carnegie classic How to Win Friends and Influence People. What he found was that afterwards, he had a bleaker understanding of human nature—and even fewer friends than when he started.

Prologue

Host Ira Glass talks with Stephen Goldin, author of an online guide that prescribes 23 rules for comic fans to follow when mingling with professional sci-fi authors at sci-fi conventions. For instance: don't try to start a discussion with a pro on the way to the bathroom.

Act Two: The Inevitable

In the 1970s and 1980s, a wave of non-white migration into Cicero begins, this one primarily Mexican-American. The head of the political machine is named Betty Loren-Maltese, whose husband, now deceased, was convicted for mob-related activity.

Prologue

An 18-year-old named Tito talks about how he didn't have a choice about certain things in his life, especially his feelings and dreams...and his feelings about Eminem.

Prologue

We got a new President, but after the recount mess in Florida in the fall of 2001 and the Supreme Court decision that ended the election, some people were having a hard time moving on. Why? Why couldn't they just let it go? Host Ira Glass talks with people at the inauguration.

Prologue

Host Ira Glass talks to two different people who have stories they just can't get over...stories that make them cringe...and stories from which we can glean what makes a cringe story different from other kinds of stories.