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Act Two

Josh Seftel and Rich Robinson's trek across South Africa continues. They head to the "South African Woodstock" and to a group that's half Nancy Reagan's "Just Say No" campaign and half terrorist campaign.

Act Three: Reverb

Ellery Eskelin never met his father but always heard he was a musical genius. Years after his father's death, Ellery started finding recordings of his musical output: he was the king of "song-poems." These are the songs that result when people answer those ads in the backs of magazines that say, "Send us your lyrics, and we'll write and record your song." Ellery's father's musical output was prodigious — and very odd.

Act Four

Ira talks with Ed Ryder, who was wrongly imprisoned for twenty years and recently released. The whole time Ryder was in prison, he dreamt of starting up a band.

Act Two: Suburban Girl

Chicago writer/musician Rennie Sparks, a member of the independent band The Handsome Family, reads "Skanks," a story of a girl struggling in a situation where some rules are strict, but other rules are up for grabs.

Prologue

Host Ira Glass point out that it's not enough this time of year that we eat millions of turkeys. Someone also went to the trouble to make up a song about turkeys getting the supernatural power to play baseball.

Act One: Dr. Phil

In the wake of a break-up, writer Starlee Kine finds so much comfort in break-up songs that she decides to try and write one herself—even though she has no musical ability whatsoever. For some help, she goes to a rather surprising expert on the subject: Phil Collins.

Prologue

After hearing about the heist, Kirk Wallace Johnson gets sucked into the feather underground. He ends up discovering things that the people in charge of the theft investigation didn’t.

Act One: Eat My Shorts

A hedge fund named Magnetar comes up with an elaborate plan to make money. It sponsors the creation of complicated and ultimately toxic financial securities...while at the same time betting against the very securities it helped create. Planet Money's Alex Blumberg teams up with two investigative reporters from ProPublica, Jake Bernstein and Jesse Eisinger, to tell the story.

Act Four: 1000 Women Become Selena

Eighteen-year-old correspondent Claudia Perez goes to an audition where a thousand Mexican women and girls dress up to play the slain Mexican pop star Selena in an upcoming film about her life. Feelings about Selena run so high that when her fans talk about her, they often cry.

Act Two: Baltimore

Ira plays tapes of his own father, Barry, who was a radio deejay in the mid-1950s. Barry gave up spinning records when he decided that he couldn't make a decent living at it, and for over a decade he was against his son going into radio, not wanting him to waste time the way he did.

Act Three: Chicken Diva

Yet another testimony to the power chickens have over our hearts and minds.  Jack Hitt reports on an opera about Chicken Little.  It's performed with dressed-up styrofoam balls, it's sung in Italian and, no kidding, able to make grown men cry. (14 minutes)The official website for the opera "Love's Fowl" by Susan Vitucci and Henry Krieger is pulcina.org.

Prologue

This American Life host Ira Glass and producer Susan Burton spent a week in August recording a suburban Chicago youth group at every stage of their very first mission trip. The teenagers were from Covenant Presbyterian Church in Chicago.

Act Two: When The Telephone Is Your Medium

Sure you can try to get your pop songs onto records, or on the radio, or onto MTV. But what happens if your medium of choice is ... the telephone? Before they had record contracts, the band They Might Be Giants distributed their songs through the medium of Answering Machine.