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Act One: Anti-Oedipus

This American Life producer Nancy Updike on a family where the father was one kind of sissy and the son was another kind, and how the family was destroyed despite the fact that no one wanted it to be.

Act Three: Reverb

Ellery Eskelin never met his father but always heard he was a musical genius. Years after his father's death, Ellery started finding recordings of his musical output: he was the king of "song-poems." These are the songs that result when people answer those ads in the backs of magazines that say, "Send us your lyrics, and we'll write and record your song." Ellery's father's musical output was prodigious — and very odd.

Act Two: More Lies

A girl who adored her father tries to figure out what to think after he takes some of her college money and lies to her about it. Also, a woman whose fiancé runs up $10,000 in credit card charges on her Visa card and vanishes.

Act Two: Baltimore

Ira plays tapes of his own father, Barry, who was a radio deejay in the mid-1950s. Barry gave up spinning records when he decided that he couldn't make a decent living at it, and for over a decade he was against his son going into radio, not wanting him to waste time the way he did.

Act Three: Please Re-lease Me

A man who we're calling "Dennis" inherits his father's job as a landlord of a big apartment building. His dad had warned him that bad tenants could drive even a good man to become heartless, but Dennis vowed that would never happen to him. He's tested on this point when he tries to help a couple that falls behind in their rent.

Prologue

We ask 18-year-old Chana Wiliford and her father in Texas if they'd be willing to have a conversation on tape in which each of them gets to ask the other the questions they've never asked before. In the conversation, Chana is half his child, half his peer.