Browse our archive by

There are 136 results

Act Four: Electricity

On their way out to a power plant, Nancy and Lee, a supervisor for Fluor in Iraq, get shot at by men in a BMW. When they finally get to the plant, Nancy learns why it's been so difficult to get power plants running again in the country.

Act One: Airport

The private security guys (from a company called Custer Battles) who guard Baghdad International Airport usually get along fine with the U.S. military personnel stationed there—except when Nancy happened to be taping, and a huge fight broke out.

Act Five: Karen

Karen Hahn, who works for Custer Battles at the airport, started out there screening women passengers—and learned a lot from their handbags. Unlike most people Nancy met in Iraq, Karen is not a former military person, she doesn't work with guns or big machines, and she's never been happier in her life.

Act Two: Hank

A former military man, Hank was hired by Custer Battles to clean up one of its other Iraq operations, guarding businessmen. He has a very clear idea of who he wants working for him: "flat-bellied, steely-eyed professionals." Instead, he's trying to tighten up a outfit whose workers once engaged in an extended firefight at a Baghdad hotel—against each other.

Act Two: The Economy

Temporary employment agencies' business has exploded in the last few years as corporations lay off their full-time employees, especially technical workers. This American Life "hired" two temp workers, Lee and Tito, to document their experiences as temps. Ira invites Tito and Lee into the studio to spin some music "appropriate" for temp employees.

Act One: Gameboy Grows Up

Ira continues with Cole Lindbergh and the hundred teenagers who work for himin the games department at Worlds of Fun. We watch them compete againsteach other to see who can do the most business, in Cole's Sweet Sixteenbracket tournament, which pits all 32 games in the park against each other.

Act Two: Jail Sell

Writer/performer Danny Hoch performs a monologue taken from his one man show, Jails, Hospitals and Hip-Hop. It's a story about a guy who's been locked up for doing the most American activity possible: Selling stuff on the street (in this case Bart Simpson/O.J. Simpson t-shirts).

Act One: You’re As Cold As Ice

In the late 1960s, a California TV repairman named Bob Nelson joined a group of enthusiasts who believed they could cheat death with a new technology called cryonics. But freezing dead people so scientists can reanimate them in the future is a lot harder than it sounds.

Act One

We hear the first part of our story about Archer Daniels Midland and FBI informant Mark Whitacre. In this half, Whitacre inadvertently ends up a cooperating witness—and turns himself into one of the best cooperating witnesses in the history of U.S. law enforcement, gathering evidence with an adeptness few have matched.

Prologue

We hear three stories of how conflicts are resolved in offices. Two of those stories come from sociologist Calvin Morrill, who studied the executive suites at a number of large companies in his book The Executive Way: Conflict Management in Corporations.

Act Two: Fall 2009

We catch back up with the people we met in 2008, to see how they've fared over the last 18 months. We talk to Clarence Nathan, who in 2008 received a half million dollar loan that he said he wouldn't have given himself; Jim Finkel, a Wall Street finance guy, who put together and managed complicated mortgage-based financial securities; Richard Campbell, the Marine who was facing foreclosure; and Glen Pizzolorusso, the mortgage company sales manager who led the life of a b-list celebrity.

Act One

This American Life producer Alex Blumberg teams up with NPR's Adam Davidson for the entire hour to tell the story—the surprisingly entertaining story—of how the U.S. got itself into a housing crisis. They talk to people who were actually working in the housing, banking, finance and mortgage industries, about what they thought during the boom times, and why the bust happened.

Act Two: When The Telephone Is Your Medium

Sure you can try to get your pop songs onto records, or on the radio, or onto MTV. But what happens if your medium of choice is ... the telephone? Before they had record contracts, the band They Might Be Giants distributed their songs through the medium of Answering Machine.

Act Three: Please Re-lease Me

A man who we're calling "Dennis" inherits his father's job as a landlord of a big apartment building. His dad had warned him that bad tenants could drive even a good man to become heartless, but Dennis vowed that would never happen to him. He's tested on this point when he tries to help a couple that falls behind in their rent.

Prologue

Ira introduces Carmen Segarra, a bank examiner for the Federal Reserve in New York who, in 2012, started secretly recording as she and her colleagues went about regulating one of the most powerful financial institutions in the country. This was during a time when the New York Fed was trying to become a stronger regulator, so that it wouldn't fail to miss another financial crisis like it did with the meltdown in 2008.