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Act Two: Not Just A Number

Captain Ryan Gist was given a particularly tough assignment in Iraq: To build relationships with a town where U.S. bombs had killed twelve innocent people. But first he has to apologize to the families of those who were killed.

Act Three: The War This Time

The Lancet's new study of deaths in Iraq, by the same research team that did the earlier study, yielded an astounding number—650,000 civilian deaths. Producer Alex Blumberg talks to Ira about the debate over this new study.

Act One: Lab Rugrats

Continuing from our prologue, host Ira Glass checks in with Lisa and her older daughter, Kennedy, to see how the experiment went. After a month, they've charted surprising results, learned that the girls aren't the only ones in the house who need to change, and found out just how much money it takes to get a twelve-year-old to play with a five-year-old.

Prologue

Host Ira Glass talks to Eddie Schmidt about his Aunt Mary, the source of the best stories in his family—including how she was so cheap she stole azalea bushes from the side of the highway.

Act One: Duki

The story of a typical American family, and how their family dynamic has reorganized itself around an imaginary duck, invented in childhood, who somehow stayed alive well into adulthood.  (14 minutes)

Prologue

Host Ira Glass talks with filmmaker Alan Berliner, who for six years collected old home movies he found at thrift stores and garage sales. He says that almost all of them document either rites of passage, like birthdays and weddings, or moments of leisure—the beach is especially big.

Prologue

Host Ira Glass talks with Chris, who worked for a company that helped deaf people talk over the phone with hearing people. The deaf person would type what they wanted Chris to say, and Chris would say it, then type back the response from the hearing person on the line.

Prologue

Host Ira Glass talks with Erin Einhorn, a reporter for the Philadelphia Daily News, who went to Poland to find the Catholic family that had sheltered and saved her mother from the Nazi concentration camps during World War II. She found that in Krakow where she was living, in a country where Jewish populations had been vilified and then exterminated by the Nazis, Judaism was suddenly trendy.

Act One: Pole Vault

Ira's conversation with Erin Einhorn continues. She talks about the possible reasons that, 50 years after Auschwitz, 10,000 Polish hipsters will now show up to see a Klezmer music concert.

Prologue

Host Ira Glass plays tape from the documentary TV series American High of a teenager fighting with his parents about which car he can take out that night. Every family has its own way of fighting and its own particular family dynamic, and if things go terribly bad, it's often hard to figure how the bad things could've been prevented.

Prologue

Ira talks with two New Yorkers on their reactions to seeing something they could never have believed possible. They acted in ways that they never had before, just ran around and around in circles.

Prologue

Host Ira Glass talks with Rebecca, who, using perfectly valid evidence, arrived at the perfectly incorrect conclusion that her neighbor, Ronnie Loeberfeld, was the tooth fairy. We hear her story.

Prologue

Leah remembers when her parents got divorced and her dad, a farmer in North Dakota, moved to an apartment in town. It was cramped and ugly, and it had a Murphy bed that made a horrible creak when you brought it down from the wall.

Act One: Driving The Divorcemobile

A collection of small stories, all on the the theme introduced in the prologue—the first few months after the divorce, and suddenly, your parents are less composed, more flawed, and more human, than perhaps you've ever seen them.

Act Four: The Wonder Twins

Ira talks with journalist Jason Bleibtreu about Luther and Johnny Htoo, twelve-year-old twins, and the leaders of a rebel army of Burmese separatists called God's Army. Everyone around them, both their own forces and their enemies, believed they possessed superpowers, that they could not be harmed by bullets, that they had the power to command ghost armies.

Act Two: Kodak Moments Of The Dead

The story of Tyler Cassity and how he's trying to remake one of our oldest rituals of commemoration.Tyler is one of the owners of a cemetery called Hollywood Forever, and he's been introducing 20th century technology to American funerals, which haven't changed much since the Civil War. At Hollywood Forever, the cost of a burial includes a video of your life: to be shown at your funeral, to be viewable at kiosks on the cemetery grounds, and to be posted—for eternity—online.