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Act One: Dr. Phil

In the wake of a break-up, writer Starlee Kine finds so much comfort in break-up songs that she decides to try and write one herself—even though she has no musical ability whatsoever. For some help, she goes to a rather surprising expert on the subject: Phil Collins.

Act Three: Radio On The Tv

Ira says a few words about what he learned from working on a television show himself and about what it's like to hear your name mentioned casually by a fictional character on a prime time drama.

Prologue

Host Ira Glass talks with producer Alex Blumberg and his parents about a bad dog they once had, and how nothing—not getting hit by cars, attacked by bigger dogs, or being shipped off to live on a farm—could stop this dog from coming home. "The Cat Came Back" is sung by Nedelle Torrisi.

Act Two: I Am Curious, Jello

About 20 years ago, a Los Angeles prosecutor named Michael Guarino thought he'd make a name for himself by taking the lead singer of the Dead Kennedys to court for obscenity. He was so sure of success, he didn't even bother to listen to the lyrics.

Act Two: Marine Life

Rob Miller is a first lieutenant in the Marine Corps commanding a weapons platoon in "Charlie Company" of the First Battalion, Eighth Marines. He led his men recently in the battle of Fallujah, and in a recent satellite phone call, he told This American Life contributing editor Jack Hitt (who also happens to be his uncle) what we never seem to hear elsewhere: Details of what it's like to fight house-to-house in urban warfare.

Act One: Crunk In The Trunk

David Segal of the Washington Post investigates the competitive world of db drag racing ("db" stands for "decibels"), where people customize their cars with stereos so loud that they can't actually be played—or listened to—at least not without risking a nose bleed.

Prologue

Fans of movie musicals might know about something called the "I Wish" number. In many movies and Broadway shows, it's the main character's first song, in which they express the hope that will set the story in motion.

Act Three: Chicken Diva

Yet another testimony to the power chickens have over our hearts and minds.  Jack Hitt reports on an opera about Chicken Little.  It's performed with dressed-up styrofoam balls, it's sung in Italian and, no kidding, able to make grown men cry. (14 minutes)The official website for the opera "Love's Fowl" by Susan Vitucci and Henry Krieger is pulcina.org.

Prologue

We hear Billie Holliday, Keely Smith and Leo Reisman (with Anita Boyer) asking the musical question, "What Is This Thing Called Love?" And, reporter Sean Cole talks about love with Joe and Helen Garland, who fell in love during World War II, but married other people. Thirty years later they met again, felt the same love they felt when they were young, divorced their respective spouses, and finally married each other.

Act Three: A Love Story

Sarah Vowell tells "The Greatest Love Story of the 20th Century," Johnny Cash and June Carter Cash.

Act One: The Chasm Between Comedy And Music

Why is it that karaoke machines only have songs on them? If what they do is take a version of a public performance and allow the rest of us to give our own interpretations of the material, why aren't there other options, like the "you talkin to me?" scene from Taxi Driver, or Martin Luther King, Jr.'s "I Have a Dream" speech. Jonathan Goldstein and producer Starlee Kine find out why when they go to a karaoke club that has, along with all the songs, comedy routines for people to perform.

Act Three: Musicians Classifieds

Sometimes in the classified ads one person will be seeking something that another person will be offering. This is especially true of the musicians section of the classifieds, where there might be a drummer seeking a band, and on the same page, a band seeking a drummer.

Prologue

An 18-year-old named Tito talks about how he didn't have a choice about certain things in his life, especially his feelings and dreams...and his feelings about Eminem.

Act One: Bowing Before The Famous

One way to measure the faith—the good old-fashioned faith—that people put in celebrities is to examine what people ask of them. Ann Hepperman has a story that gives a rare and vivid glimpse of what people want from celebrities...or anyway, what they want from country legend Willie Nelson.