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Prologue

Host Ira Glass talks with Kayla Hernandez, a seventh-grader who likes to reminisce about when she was a child, back in fifth grade. She visits Room 211 in her school, where her fifth grade class met, and looks at her old books, thinks about what happened there.

Act One: Ich... bin... ein... mophead.

Alex Blumberg sets out to find a woman named Susan Jordan, who babysat him and his sister for a year when he was nine. He discovers that each of them remembered something about the other that the other would just as soon forget.

Act Two: Boy Interrupted

Growing up, Clevins Browne moved all over New York with his mother, in different apartments and homeless shelters. But that all changed when he was 12, and they got an apartment in a public housing complex in Brooklyn.

Act Three: Girls In Need Of A Safer Time

Robin Epstein talks about her old job, as producer and chief question writer on a game show for teen-age girls called Plugged In. It was one of the first shows to air on the Oxygen network, the TV channel for women created by Oprah Winfrey. Robin had hoped that the show could serve as a role model for young women, showing smart teen girls answering tough questions.

Prologue

Host Ira Glass talks to Jonathan Gold about the bully in high school who knocked Jonathan and his cello down the stairs one day as he was walking to history class—and why Jonathan felt a sudden surge of satisfaction about this almost three decades later.

Act One: Who Takes The Class Out Of Class Reunion

Jon Ronson goes to his high school reunion to try to figure out why his schoolmates—his friends!—threw him in a lake when he was sixteen. The only trouble is, no one at the reunion seems to remember it quite the way he does.

Prologue

Host Ira Glass talks to Adam Stein about the very real cat-and-mouse game between his friends and the vice principal of his high school that preoccupied them throughout their high school careers.

Act One: Small Thoughts In Big Brains

This American Life producer Alex Blumberg investigates a little-studied phenomenon: Children who get a mistaken idea in their heads about how something works or what something means, and then don't figure out until well into adulthood that they were wrong. Includes the tale of a girl who received a tissue box for Christmas, allegedly painted by trained monkeys.

Prologue

Host Ira Glass talks with This American Life producer Julie Snyder about a personal regime change that happened when she was a kid, after her parents got divorced and her stepdad came on the scene. She says that by the time her parents separated, literature on what to tell the children was everywhere, and the kids took it relatively well.

Act Four: The Cinema Of Upward Mobility

Home movies usually don't have much of a plot—one of the many ways they differ from Hollywood movies. But reporter Susan Burton has a lifetime of home movies, which together describe a very Hollywood plot, about how she remade herself from a friendless nerd into a popular girl.

Prologue

How does the Devil work? We hear stories from five different people who say they found themselves inexplicably doing something random and bad, something which made no sense to them at all. Host Ira Glass explains why this might be, cadging a bit from C.S.

Prologue

Host Ira Glass talks with Sarah Koenig, about the first and only time a movie star came over to her family's house when she was a kid, and how it didn't go too well, for the celebrity or for her. The movie star, Robert Redford, ended up stealing all her parents' attention, attention they usually lavished on Sarah, the youngest.