We hear the story of the Persian Gulf war, as told by Issam Shukri, a family man from Bagdad who was drafted into Saddam's army against his will. He had to explain to his three-year-old son why those usually civilized Americans were bombing their city night after night.
Ira talks with two New Yorkers on their reactions to seeing something they could never have believed possible. They acted in ways that they never had before, just ran around and around in circles.
Reporter Mark Arax spent three years investigating the murder of his father and yet he's still not at peace when he thinks of his dad's death. (His book is called In My Father's Name.) This is how it goes sometimes: We create a story that tries to explain our lives, and it still leaves so much unanswered.
A father and daughter (Adrian LeBlanc and his daughter Adrian Le Blanc) decide to write his obituary—together—not really thinking very seriously at first about the real meaning of what they were doing.
Host Ira Glass talks with Rebecca, who, using perfectly valid evidence, arrived at the perfectly incorrect conclusion that her neighbor, Ronnie Loeberfeld, was the tooth fairy. We hear her story.
Julie Hill with a story about her six-year-old son, and how he tries to make sense of his father's terminal illness.
Leah remembers when her parents got divorced and her dad, a farmer in North Dakota, moved to an apartment in town. It was cramped and ugly, and it had a Murphy bed that made a horrible creak when you brought it down from the wall.
A collection of small stories, all on the the theme introduced in the prologue—the first few months after the divorce, and suddenly, your parents are less composed, more flawed, and more human, than perhaps you've ever seen them.
Ian Brown explains the lengths a normal dad will go to give his daughter a memorable birthday party, including a birthday stunt so crass that he and his wife shocked all their friends.
Nick Flynn tells the story of his father, who was never on a pedestal. His father abandoned the family soon after Nick was born.
We hear a series of letters that originally appeared on the brief-lived, little-known, but well-loved webzine Open Letters. They're written by a woman who signs her name as "X" and are addressed to the father of her adolescent son.
In Seattle, Dan Savage and his boyfriend adopted a son, DJ. It was an open adoption, so the birth mother could keep in touch with her kid.
Scott interviews his 11-year-old daughter about his marriage. She sheds light on the previous three stories in the show.
What happens when you want your dad to change—and he wants to change, too—but there's literally nothing that can be done to change him. Jon Sarkin was a chiropractor with workaholic tendencies.
Nick Hornby, author of High Fidelity and About a Boy, explains the travails of driving his autistic son to the park.
Jay Allison and his 12-year-old daughter discuss what radio station to listen to. She wants music.
David Sedaris, author of Me Talk Pretty One Day, explains how the most important moments of your life can happen in a car...and you can miss them.
When Terry Shine's father was in the hospital, Terry and his brothers spent weeks trying to do whatever they could to help. But first they had to learn the language and customs of the average American hospital.
Reporter Mark Arax spent three years investigating the murder of his father and yet he's still not at peace when he thinks of his dad's death. (His book is called In My Father's Name: A Family, a Town, a Murder.) This is how it goes sometimes.
A father and daughter (Adrian LeBlank and his daughter Adrian Le Blank) decide to write his obituary—together—not really thinking very seriously at first about the real meaning of what they were doing.
One of the most powerful forces in a room can be the thing that is unspoken between people. Five writers—Scott Carrier, David Sedaris, Sarah Vowell, Brady Udall and Lan Samantha Chang—give us case examples: stories when they felt the presence of something unspoken.
Host Ira Glass with Rory Evans, who describes the day her father fired his own mother from their family business, a machine shop called Evans Industries.
The story of the lengths a father will go to to retrieve a lost teddy bear, and why—after he's enlisted many other parents to help him wade through tens of thousands of bags of trash to find it—none of the parents involved think he's nuts.
The story begun in the Prologue continues.