Browse our archive by

There are 65 results

Act One: Baby NOT On Board

Ira plays tape from an interview that he did more than 20 years ago, with the author Doris Lessing, about her novel The Fifth Child, which tells the story of a woman who gives birth to a goblin-like baby. The archival audio appears courtesy of National Public Radio, Inc.Then Ira's conversation with Cheryl, from the top of the show, continues.

Act One: Mad Man

Producer Sarah Koenig tells the story of her father, Julian Koenig, the legendary advertising copywriter whose work includes the slogan "Timex takes a licking and keeps on ticking" and Volkswagen's "Think Small" ads. For years Sarah has heard her dad accuse a former partner of stealing some of his best ideas, but until recently she never paid much attention.

Act One: The Fat Blue Line

While riding in a patrol car to research a novel, crime writer Richard Price witnessed a misunderstanding that for many people is pretty much accepted as an upsetting fact of life. Richard Price told this story—which he describes as a tale taken from real life and dramatized—onstage at the Moth in New York.

Act Two: Stereotypes Uber Alles

When writer Chuck Klosterman got back from a trip to Germany, friends asked him what Germans were like. Did nine days as an American tourist make him qualified to answer? In this excerpt of an essay he wrote for Esquire magazine, Chuck explains why not.

Prologue

Host Ira Glass talks with Jane Espenson—who's written for the TV shows Battlestar Galactica and Gilmore Girls—and with J.J. Abrams—one of the creators of the hit shows Lost, Alias, and Felicity—about how we might be in the midst of another Golden Age of television.

Act Two: Super Duper

The super in Josh Bearman's Los Angeles building was kind of a needy character. He would sometimes ask Josh to come into his apartment and help him out -- check whether his garbage was being moved by a ghost, for example.

Act One: Letters

Ira and playwright David Hauptschein took out advertisements in Chicago inviting people to come to a small theater with letters they've received, sent or found. People came for two nights, and read their letters onstage.