May 1, 1998
The classic story of America is the story of people who started with nothing, pulled themselves up by their bootstraps, and made something of themselves. The story of the town of Niagara Falls is the opposite. The town started with something huge—the Falls—and built nothing lasting from it.
- The modern history of Niagara Falls can be divided roughly into three phases: Schemers who came in trying to exploit the Falls for tourism and failed; schemers who came in and tried to exploit the Falls for hydroelectric power, who've all gone; and the people who are left in Niagara today. Our show is about this last group: People who live in the aftermath. Some of them have made their peace with what Niagara has become, some haven't.
During the hour we hear from Paul Gromosiak, a man who's obsessed with the Falls, writes about them, thinks about them all the time, but never goes there, because "they've ruined the falls." We hear a man who went over the falls in a barrel, and we hear the recordings he made inside the barrel as he went over. There's a man who picks up the bodies of people who've jumped over the Falls. A man who holds 2,000 weddings a year for tourists. And we hear David Kodeski's story—of growing up near the Falls, working as a tour guide, and being urged to work in the chemical plants where wages were higher. In all, nine different stories, interwoven. David Kodeski's portion of this show was based on his one-man play Niagara (You Should Have Been Yosemite), which played originally at the neo-futurarium in Chicago—home of the great neo-futurists.