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There are 10 results for "Mike Daisy"

Act Two: Silent Partner

Sean Cole visits Chad's Trading Post in Southampton, Massachussetts. One person who works there wears a shirt that says "Chad's Brother;" other shirts say "Chad's Best Friend," "Chad's Cousin," "Chad's Father." Pictures of Chad are everywhere.

Act Four: A Night In Drug Court

Before this show ended we wanted to know—how typical are the horror stories? What happens in a typical drug case? To find out, reporter Nancy Updike spent nine hours in Night Narcotics Court in Chicago. What she discovers is that the system is working as fairly as one could hope or expect, with one caveat: Nearly all the defendants are African-American, even though the jurisdiction contains an equal number of white drug users.

Act Three: Drawl

What does it mean to talk like a real Southerner—and why a multimillion industry can't seem to figure it out. Southern expatriate Mark Schone dissects Southern accents as they're portrayed in movies and TV shows.

Prologue

Reporter Mark Arax spent three years investigating the murder of his father and yet he's still not at peace when he thinks of his dad's death. (His book is called In My Father's Name: A Family, a Town, a Murder.) This is how it goes sometimes.

Act Four: Open Your Big Mouth

What happens when you go into a place—in this case a prison—where there are all sorts of codes about what you're never supposed to say...and you say every one of them. Rick Reynolds tells a story from his one-man show (and CD) All Grown Up and No Place to Go, about performing stand-up comedy at a maximum security prison just before Christmas a few years ago.

Act Two: How We Got Here

We hear the history of why these drug laws were enacted from a firsthand witness. Eric Sterling was the lawyer in charge of drug laws for the House Judiciary Committee during the 1980s, when mandatory minimums were put in place.