As the number of female prisoners climbs, visiting rooms are packed on Mother's Day. Eighty percent of female inmates have children at home.

One of the most powerful forces in a room can be the thing that is unspoken between people. Five writers—Scott Carrier, David Sedaris, Sarah Vowell, Brady Udall and Lan Samantha Chang—give us case examples: stories when they felt the presence of something unspoken.

Alix Spiegel travels with a group of white suburbanites as they pretend to be runaway slaves, at the Conner Prairie Living History Museum. Her goal: to find out what it is that people actually get out of this elaborate game of pretend.

Professor Glenn Loury from Boston University and John Simpkins on basketball, hockey, and what makes a real black person.

The publisher of the zine Infiltration talks about the pleasure and importance of going behind the scenes of everyday life.

Ira reads a very brief excerpt from a short story from writer Stuart Dybek called "We Didn't." Dybek fills 11 pages, thousands of words, describing all the things two people do when they're not doing something.

What happens when you go into a place—in this case a prison—where there are all sorts of codes about what you're never supposed to say...and you say every one of them. Rick Reynolds tells a story from his one-man show (and CD) All Grown Up and No Place to Go, about performing stand-up comedy at a maximum security prison just before Christmas a few years ago.

It can be frightening to get lost, but what if you could adapt the thrill of being lost, the pleasure of being lost, to safe parameters? Just get a little lost. Is it even possible? Or is that playing with fire, where you're sure to get burned? Writer David Sedaris has these thoughts.

Twenty-six-year-old Jose William Huezo Soriano—a.k.a. Weasel—grew up in Los Angeles.

It's possible to turn off your emotions and go on autopilot for brief periods with the people you love, and it's possible to shut them down completely. Writer Dani Shapiro reads from her memoir Slow Motion: A True Story.

Former South African political prisoner Breyten Breytenbach, on how prison changes all your perceptions in ways that last after you've been released. The painter and poet was interviewed by New Yorker writer Lawrence Weschler for a radio series called Territories of Art, for the Museum of Contemporary Art in Los Angeles in 1986.

Before this show ended we wanted to know—how typical are the horror stories? What happens in a typical drug case? To find out, reporter Nancy Updike spent nine hours in Night Narcotics Court in Chicago. What she discovers is that the system is working as fairly as one could hope or expect, with one caveat: Nearly all the defendants are African-American, even though the jurisdiction contains an equal number of white drug users.

Barbara Clinkscales grew up in Chicago's public housing projects, had her first child when she was 15, and is now—over two decades later—struggling to get her teenage son to finish his senior year of high school. Barbara is a working mom, with a network of close friends who look out for her.

One great thing about staying in a camp of 130 other Christians is the much-better-than-in-school chance of meeting a nice, cute Christian boy.

A story that takes place at the crossroads where art meets commerce—a place where we can ask the question: Is the art of commerce better than the art of art? Writer (and occasional screenwriter) Sandra Tsing Loh accompanies a Hollywood screenwriter as he tries to sell a movie idea—a comedy in the style of Liar Liar. (19 minutes)

Sean Cole visits Chad's Trading Post in Southampton, Massachussetts. One person who works there wears a shirt that says "Chad's Brother;" other shirts say "Chad's Best Friend," "Chad's Cousin," "Chad's Father." Pictures of Chad are everywhere.

Reporter Jeremy Goldstein tells the story of a man who had many books change his life, even though he'd never read them.

There's the pretending we do as individuals, and there's the organized pretending that happens in group therapy sessions, in the roleplaying games that are done in some clinical settings. Jack Hitt tells the story of the Mother of All Roleplaying Games.

Reporter Mark Arax spent three years investigating the murder of his father and yet he's still not at peace when he thinks of his dad's death. (His book is called In My Father's Name: A Family, a Town, a Murder.) This is how it goes sometimes.

Amy McGuiness flies tourists to the North Pole who pay thousands of dollars for the privilege. When you get to the Pole, it looks exactly like all the other ice you've been staring at for hours.

The story of the lengths a father will go to to retrieve a lost teddy bear, and why—after he's enlisted many other parents to help him wade through tens of thousands of bags of trash to find it—none of the parents involved think he's nuts.

Forget all the self-help seminars you've ever heard of or attended. Writer Cheryl Trykv leads the audience in Seattle in a guided meditation, to end our program with epiphany, epiphany, epiphany.

How Kevin and his friends got into the game of pimping, and the rules of the game at the time.

Over the course of his life, Keith Aldrich was a child of the Depression; an aspiring Hollywood actor; a self-styled Beat writer, a member of the New York literati, and then a hippie. Then in the 80's, he became a born-again Christian.