Host Ira Glass with Rory Evans, who describes the day her father fired his own mother from their family business, a machine shop called Evans Industries.

Reporter Mark Arax spent three years investigating the murder of his father and yet he's still not at peace when he thinks of his dad's death. (His book is called In My Father's Name: A Family, a Town, a Murder.) This is how it goes sometimes.

One of the most powerful forces in a room can be the thing that is unspoken between people. Five writers—Scott Carrier, David Sedaris, Sarah Vowell, Brady Udall and Lan Samantha Chang—give us case examples: stories when they felt the presence of something unspoken.

Over the course of his life, Keith Aldrich was a child of the Depression; an aspiring Hollywood actor; a self-styled Beat writer, a member of the New York literati, and then a hippie. Then in the 80's, he became a born-again Christian.

Jack Hitt tells the story of Charlene Riling, who nearly died, and who explains how life near to death can be better than everyday life.

What happens when a dad tries too hard to protect his child from disappointment and instead enthrall the child. With the best of intentions, New Yorker writer Lawrence Weschler did all that, and in the process accidentally broke his daughter's heart.

The tendency toward self-reinvention is so deep in American culture that we have an entire industry, a self-help industry, telling us how to transform ourselves into someone new. And usually, we see this as a positive thing.

The story begun in the Prologue continues.

This is a story of a father and son—told by the son, Juan Zaldivar, who was born in Cuba. Juan has spent the past four years shooting a movie about his father, to try to reassure him that he did the right thing to leave Cuba with his family in the 1980s and come to America.

A father and daughter (Adrian LeBlank and his daughter Adrian Le Blank) decide to write his obituary—together—not really thinking very seriously at first about the real meaning of what they were doing.