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Act One: There's No U.s. In Habeas.

Jack Hitt explains how President Bush's War on Terror changed the rules for prisoners of war and how it is that under those rules, it'd be possible that someone whose classified file declares that they pose no threat to the United States could still be locked up indefinitely—potentially forever!—at Guantanamo.

Act Two: September 11th, 1660

Habeas corpus began in England. And recently, 175 members of the British parliament filed a "friend of the court" brief in one of the U.S.

Act Three: We Interrogate The Detainees

Although more than 200 prisoners from the U.S. facility at Guantanamo Bay have been released, few of them have ever been interviewed on radio or on television in America. Jack Hitt conducts rare and surprising interviews with two former Guantanamo detainees about life in Guantanamo.

Prologue

Joseph Margulies, a lawyer for one of the detainees at Guantanamo, explains how the detention facility there was created to be an ideal interrogation facility. Any possible comfort, such as water or natural light, is controlled entirely by the interrogators.

Act One: There's No U.s. In Habeas.

Jack Hitt explains how President Bush's War on Terror changed the rules for prisoners of war and how it is that under those rules, it'd be possible that someone whose classified file declares that they pose no threat to the United States could still be locked up indefinitely—potentially forever!—at Guantanamo. (26 minutes).Clarification: When Seton Hall professor Baher Azmy discusses the classified file of his client, Murat Kurnaz, he is referring to information that had previously been made public and published in the Washington Post.

Act Two: September 11th, 1660

Habeas corpus began in England. And recently, 175 members of the British parliament filed a "friend of the court" brief in one of the U.S.

Act Three: We Interrogate The Detainees

Although more than 200 prisoners from the U.S. facility at Guantanamo Bay have been released, few of them have ever been interviewed on radio or on television in America. Jack Hitt conducts rare and surprising interviews with two former Guantanamo detainees about life in Guantanamo.

Prologue

The government had an almost impossible task after the September 11th attacks: They had to try to stop terrorists before they did anything — in some cases, before they even committed a crime. Dr.

Prologue

Host Ira Glass interviews Joe Amrine, who was falsely accused of murder. Rather than avoid the death penalty, Amrine said everything he could think of on the witness stand to get the jury to give him a death sentence.

Prologue

Carl King, a self-taught investigator, talks about the murder case he's working on now—one the police think they've already solved. Carl got started in this business after freeing his close friend from prison.

Act One

Reporter Anya Bourg tells the story of Carl King's first case, where he's able to accomplish what experienced detectives and lawyers were not. He proves that his friend was innocent.

Act Two

The story of Collin Warner continues. His friend Carl manages to convince the real shooter and the victim's brother (who watched him die on the sidewalk) to testify on Collin's behalf.

Act Three: Secret Wiretaps From A Secret Court

For over two decades, there's been a secret court in the United States called the FISA court (short for Foreign Intelligence Surveillance Act). Its job is to authorize wiretaps on possible foreign spies and foreign agents.

Act One: Cowboys And Indians, Part 1

Reporter Susan Burton tells the story of a high-speed chase in South Dakota. An incident at a high school basketball game escalated to the point where a group of Native American girls from one town found themselves being chased down the highway by a group of white boys from another town.

Act One: Act V, Scene 1

Jack Hitt begins his story about a group of prisoners at the Missouri Eastern Correctional Center who are rehearsing and staging a production of Hamlet. The man who plays Hamlet gets in character by recalling times he's wanted to hurt people, like the crime that sent him to prison, in which he shot two people and left them for dead.

Act Two: Act V, Scene 2

Jack Hitt's story about a prison production of Hamlet continues. He discovers that almost all the actors draw on their pasts in one way or another to get into character.