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Act One: Take That, Copper

Monica Childs's story continues. She tells the story of how she was asked by her boss to do something illegal...and how she refused...and the repercussions she suffered.

Prologue

Ben Schrank describes what it's like to work as a professional mover. He says that people often go sort of nuts when they see all their worldly possessions—all the stuff that defines them as people—packed into a van.

Act One: The Number 66 Bus

Linnel Peterson drives the Number 66 bus in Chicago, on Chicago Avenue. She grew up just blocks from the route, still lives near the route, and says it's strange whenever she drives her car on Chicago Avenue these days.

Act Four: Three More Bubbles

An '88 Grand Marquis that Senator Conrad Burns inherited from his mother; a New York taxicab whose driver, Jeff Perkins, tape-records his passengers to help pass the time; a 1980s-era BMW 5 series in which film producer Rob Levine had his first job as driver and assistant to movie producer Edgar Sherrick.

Act Three: When Slime Is Good

Former political consultant Ron Susskind says that when he began in politics, he thought there was nothing lower than negative campaigning. But then in 1980 he learned that sometimes when your opponent attacks you, it can actually help you.

Act Four: Who You Gonna Call?

There is an entire class of consultant who does nothing but help people and companies that are under public attack. Eric Dezenhall is one of them.

Prologue

Tillie Olsen reads from her short story "I Stand Here Ironing," from her collection Tell Me A Riddle. In the story, a mother reviews all that's gone wrong in the raising of her oldest daughter...and makes a few conclusions about what she should think about her mistakes as a mother.

Prologue

There's a TV ad so popular in Canada right now that people chant it in bars, stand and cheer it in theaters and at hockey stadiums. The ad taps into our desire to be part of a mob...and provides a safe way to do it, without fear.

Prologue

Host Ira Glass talks with people who've been hit by lightning. They describe what happened at the moment the bolt struck ... and how they came to view it later.

Prologue

Sean Cole explains why he decided that he would speak with a British accent—morning, noon and night—from the age of sixteen until he was eighteen...and how he believed the lie that he was British must be true.

Act Two: If Cats Ran Hollywood

What do cats want to see on television? Steve Malarky, creator of the world's best-selling home video for cats, tells all. And—in the interest of equal time—a cashier who works at a chain store that sells pet products rants about the absurdity of the items she's ringing up every day: St.

Prologue

Host Ira Glass talks about the human urge to turn something inanimate into something that's alive, about the moment Pinocchio stops being a concoction of wood and string and becomes a real boy. He chats with Ronn Lucas, a ventriloquist, about moments when his dummies have seemed alive enough to surprise him.

Prologue

A high school student explains the intricacies of a four-year crush, and declares that having a crush can be better than having a boyfriend.