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Act One

The first part of Josh Seftel and Rich Robinson's documentary about South Africa. Josh meets people who may be distant South African relatives.

Prologue

More than England, or Japan or Israel.... When we think of South Africa, it's a more interesting mirror of the United States than nearly any country, because we glimpse a distant echo of the most frightening parts of American society — and the most inspiring.

Act Two

Josh Seftel and Rich Robinson's trek across South Africa continues. They head to the "South African Woodstock" and to a group that's half Nancy Reagan's "Just Say No" campaign and half terrorist campaign.

Act One: Yesterday

A history of the brief mayoral career of Harold Washington, and its lessons for black and white America, as told by people close to him. Many are activists and politicians: Lu Palmer, Judge Eugene Pincham, Congressman Danny Davis, then-alderman Eugene Sawyer.

Act Two: The Present and the Future

Ira Glass talks with David Axelrod, who was an advisor to Harold Washington and to Barack Obama as well. In 2007, when we last broadcast this show, Ira recorded an interview with Axelrod who was riding on Obama’s campaign bus, during the Democratic Primary in Iowa.

Act Two: The World's Most Perfect Pneumatic Vacuum

Canadians not getting any respect in two locales: A town called Little Canada, Minnesota; and in Canada, where a guy doing a Canadian-heritage art project gets ribbed by his neighbors, who joke that there is no Canadian culture to celebrate. Then, Sarah Vowell speaks with Ian Brown, formerly the host of the Canadian Broadcasting Corporation's long-running program Sunday Morning. They arm wrestle over what it means to be a Canadian, what it means to be an American, and whether the two are the same.

Prologue

Danny Toro, a member of a Chicago street gang for ten years, explains what gangster movies he liked most in his gang years and why. Scarface, with Al Pacino, was a good movie to get him pumped up to go out with his boys. A Lucky Luciano film taught him a lesson in how to be more compassionate with members of his own gang.

Prologue

Ira talks with a gang kid who turned to Jesus with the same ferocity and dedication with which he served his old street gang.

Act Three: Reverb

Ellery Eskelin never met his father but always heard he was a musical genius. Years after his father's death, Ellery started finding recordings of his musical output: he was the king of "song-poems." These are the songs that result when people answer those ads in the backs of magazines that say, "Send us your lyrics, and we'll write and record your song." Ellery's father's musical output was prodigious — and very odd.