Jack Hitt begins his story about a group of prisoners at the Missouri Eastern Correctional Center who are rehearsing and staging a production of Hamlet. The man who plays Hamlet gets in character by recalling times he's wanted to hurt people, like the crime that sent him to prison, in which he shot two people and left them for dead.

Alix Spiegel reports on the "Recovered Memory" movement. In the early 1990s people across America turned to experts in psychology for help...and many people were told that the source of their problems could be traced to traumatic events they could not even remember, to memories that had to be recovered through special techniques.

Host Ira Glass talks with filmmaker Alan Berliner, who for six years collected old home movies he found at thrift stores and garage sales. He says that almost all of them document either rites of passage, like birthdays and weddings, or moments of leisure—the beach is especially big.

Ira speaks with Gordon Jondroe of the newly-created Department of Homeland Security, trying to get answers to Senator Graham's questions. It doesn't go so well.

Host Ira Glass talks with Erin Einhorn, a reporter for the Philadelphia Daily News, who went to Poland to find the Catholic family that had sheltered and saved her mother from the Nazi concentration camps during World War II. She found that in Krakow where she was living, in a country where Jewish populations had been vilified and then exterminated by the Nazis, Judaism was suddenly trendy.

Host Ira Glass talks with a bunch of special ed students. By and large, they thought of themselves as regular kids—until each experienced a shocking moment of revelation when they discovered that they were not the same as other kids, and that the other kids already knew that...and had known for a long time.

Rarely when we're suckered do we get a chance at revenge, and that turns out to be a good thing. Writer Shane DuBow tells the story of a scam he fell for when he was just out of college.

Host Ira Glass talks with Starlee Kine, who loves TV reruns more than first-run shows. She explains that even if it's a show she hates—Caroline in the City for example—she'll watch the rerun.

While we all may have nagging fears about the war against terror or the war against Iraq, we all have a lot of other things on our minds. We hear 19 eighth-graders' letters to the President, as collected by their teacher, Britt Honeycutt, in rural North Carolina.

Sure, those who can't do, teach. But what about those who can do? Marlon Brando has created a set of instructional videos about acting, called Lying for a Living. Reporter Jod Kaftan got a sneak preview.

Susan Drury tells the story of what happens when one of the most respected men in town gets accused of sexual harassment by one of the most trusted women in town. For a lot of the townspeople it was a difficult decision, but they chose to believe him over her.

Ira interviews three of the people involved in making the documentary How's Your News?, about a team of developmentally disabled people who travel across the country doing man-on-the-street interviews. He talks to two of the developmentally disabled reporters, Susan Harrington and Joe Simon, and to the film's non-disabled director, Arthur Bradford.

This American Life producer Starlee Kine with a story of a company in turmoil. A young employee gets in a jam and discovers that in times of trouble, when all else has failed, companies in her industry turn to one woman in a suburban home in Long Island, who solves their corporate problems while the TV plays in the background.

Host Ira Glass talks to Cory Simmons and Dominique Mapp, who were driving home one night and were followed by a group of rowdy men in an SUV. The men tailed them for miles and then started firing a gun at them.

Sarah Vowell identifies a phenomenon that's sort of a cultural rerun. It's an analogy that gets made over and over in different situations: people who often are not black, or women, or in any way involved with civil rights, comparing themselves to Rosa Parks.

Host Ira Glass tells the story of a report by the U.S. intelligence community back in October 2002 that declared that the likelihood of Saddam Hussein using weapons of massive destruction was very low for the "foreseeable future"...unless the U.S. were to launch a military attack on Iraq. In other words, the war to stop him from using weapons of mass destruction would probably cause the thing it was designed to prevent.

"Stolen Dog, black, toy poodle named Isis." Producer Todd Bachmann interviews a man named Leo, who recently placed that ad.

David Cossin's and Allesandra Pomarico's story from the prologue continues. We hear more of David's tapes, and they both tell us how successful the tapes were.

It's possible that the most compelling arguments against the war with Iraq, and the most compelling arguments for the war with Iraq, are arguments you've never heard. Ira talks with journalist Nicholas Lemann from The New Yorker magazine about two ways of seeing the war: The so-called Hawks' view, and the so-called Realists' view.

Sometimes in the classified ads one person will be seeking something that another person will be offering. This is especially true of the musicians section of the classifieds, where there might be a drummer seeking a band, and on the same page, a band seeking a drummer.

Host Ira Glass goes to a fake wedding at a home for Alzheimer's patients in Davenport, Iowa. Two high school kids who've never even kissed are the bride and groom.

J. Robert Lennon reads an excerpt from his short story "The Accursed Items," in which he demonstrates that even objects can fulfill a fate different from the one for which they were intended. Even inanimate objects can have a plan B.

A fable of how America got its name, and how it was named after someone who was a fraud, but the kind of fraud people love, the kind of fraud who knows how to please a crowd. Jack Hitt tells the racy and little-known story of how Amerigo Vespucci got his name all over the map of the western hemisphere by telling lies about what he found there—the type of lies which can be found today in the pages of Penthouse magazine.