For more than a decade, Boris Furman has meticulously tracked the whereabouts of his family members, averaging the latitude and longitudes to arrive at “The Family Average Location.” But nobody really knows why.
The discovery of 30 century-old postcards written in old Yiddish by a distant family member challenges David Kestenbaum’s ideas about the unimportance of blood ties.
Lots of things go unspoken between family members, sometimes for years. We searched for a parent who had a question for their kid that they’d never been able to ask before.
Reporter Anna Maria Barry-Jester tells the story of two public health officials in Santa Cruz County, California, whose lives have been completely upended by threats and harassment over the past year. (20 minutes)This story is a collaboration with Kaiser Health News. You can read their version here.
Host Ira Glass goes to a block in New York City where, over a year into the pandemic, neighbors are still clapping for health care workers every night at 7 p.m. (7 minutes)
Producer Neil Drumming talks with the rapper Breeze Brewin about a toy car they both loved playing with as kids: The General Lee from the hit TV show The Dukes of Hazzard. Breeze went on to record a song called “Generally” about The General Lee with his group the Juggaknots.
Producer Chana Joffe-Walt wondered what it was like for surviving MTA employees coping with the loss of their co-workers due to Covid-19. She met one in particular who’s had a hard time saying goodbye.
Ira talks with comedian Rob Delany, who suffered the worst kind of loss a parent can endure — the death of his two-year-old son, Henry. Rob describes what his grief has been like and what he’s learned from it.
Ira Glass talks to journalist Jochen Bittner about a political lie from 1920s Germany and the lessons it holds for 2020s America. His op-ed about this ran in the New York Times. Bittner’s one of the people who runs the Opinion section of the German newspaper Die Zeit.
You can’t get herd immunity until you deal with the herd, and get enough of them moving together in the same direction. That’s been difficult this past year, in a way it’s never been during any other epidemic in our history.
Fifteen years after a bloody Shakespeare production that, at its height, had people fainting night after night, producer Bim Adewunmi talks to its director, Lucy Bailey.