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Act Three: Walkout

Veronica Chater tells the story of her developmentally disabled brother Vincent, who one day quit his job and then quit everything else, mystifying everyone in his life. Veronica is author of the memoir Waiting for the Apocalypse.

Act Five: Just Shoot Me

David Sedaris tells a story about his mother who hated home movies, and how his brothers and sisters came to appreciate them. David's the author of several books, including When You Are Engulfed in Flames.

Act Two: The Jackson Two

Congressman Jesse Jackson, Jr. already had one other man in his life who shared his name—his world famous father, the Jesse Jackson. But then right before his most recent primary race, an aide told him that he now had another Jesse Jackson to contend with.

Prologue

Host Ira Glass talks with Marion Tanios, a classified section editor at the Chicago Sun-Times. She explains that if the news section of the newspaper gives you the public life of a city, the classified section gives you a sense of people's personal lives.

Prologue

Host Ira Glass talks with a bunch of special ed students. By and large, they thought of themselves as regular kids—until each experienced a shocking moment of revelation when they discovered that they were not the same as other kids, and that the other kids already knew that...and had known for a long time.

Act Two

Brent Runyon tells the story of the day in eighth grade that he set himself on fire...and what led to that. He wasn't a loner, he had friends, his mother was a teacher, his parents took an interest in his life.

Act Two: One Crucible Leads To Another

We hear excerpts from two autobiographies which each describe the same moment, but in very different ways. Elia Kazan and Arthur Miller agree that they met with each other in 1952, around the time Kazan named the names of his old friends to the House Committee on Un-American Activities.

Prologue

Host Ira Glass talks with NPR's Car Talk hosts Tom and Ray Maggliozi and a former employee of theirs, Joe Richman. Ray once fixed Joe's beloved '72 Plymouth Valiant, a repair job which hastened it to its grave...but probably got Joe a girlfriend.

Act One: Act V, Scene 1

Jack Hitt begins his story about a group of prisoners at the Missouri Eastern Correctional Center who are rehearsing and staging a production of Hamlet. The man who plays Hamlet gets in character by recalling times he's wanted to hurt people, like the crime that sent him to prison, in which he shot two people and left them for dead.

Act Two: Snitch

The story of how common and perfectly legal police interrogation procedures, procedures without violence or torture, were able to get an average fourteen-year-old suburban kid to confess to murdering his own sister...even though DNA evidence later proved that he hadn't done the crime.

Act One: The Big Night

Jonathan Goldstein made every girl he ever dated watch the home movie of his family's Rosh Hashanah dinner he made when he was 17. He hoped that seeing his family life on film might make the women more sympathetic to his shortcomings.