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Prologue

Ira talks to producer Nancy Updike and reporter Dan Ephron, about their interview with the accomplice, Hagai Amir, who showed them the house where he and his brother plotted the murder and the shed where he machined special bullets.

Act Three: About that Farm Upstate

While it’s hard to explain to kids how babies come into the world, it might be harder to explain that people leave the world too — especially to a kid whose mom or dad or brother or sister has died. There are grief counseling centers all over the U.S. that cater specifically to children.

Act 4: Fourth Stop

A lot of people lost their homes during Katrina, but a lot of people lost their homes afterward, too—in ten years of post-storm debt, foreclosures, and hard loans. Zoe Chace talked with Roy Bradley, a Saints fan who’s facing losing his house right after he rebuilt it.

Act 3: Third Stop

Lots of people in the lower 9th ward believe that the levees were exploded by the US government, and that’s why their neighborhood ended up under water. This makes a lot of sense when you learn about what happened in that same place in 1927.

Act One

In 2008, the Milwaukee Police Department, which has a long history of tension with black residents, got a new chief named Ed Flynn. One of his big goals when he came to the city was to try and improve the relationship between cops and black Milwaukeeans.

Act Two: The Morning

Ephron takes the shirt Rabin was wearing on the night of the assassination from Israel to the U.S. to have it examined by a gunshot expert. A right-wing activist describes what the assassination meant to her and her settler movement -- a political victory.

Act One: Some Like it Not (On the Neck)

Workshops on sexual assault and consent are hugely popular on college campuses around the country. Chana visits one of these workshops to find out what’s being taught, and more importantly, what college boys in particular have already learned about sex, back when they were kids.

Prologue

This American Life producer Chana Joffe-Walt sits in for Ira Glass, because Chana has kids, two young sons. And her oldest, Jacob, has some complicated ideas about people, that Chana wants to straighten out, but doesn’t know exactly how.

Prologue

Ira introduces “the backfire effect,” a phenomenon stating that when confronted with evidence disproving what we believe, most of us ignore that evidence, dig in and become more entrenched in our beliefs. Which just makes the recordings he plays more surprising—recordings of canvassers going door to door and effectively convincing people to completely flip their positions.

Prologue

Producer Ben Calhoun tells Ira about a secret move his friend uses all the time — the "good guy discount" — that gets Ben's friend money off all sorts of items when he's shopping.

Prologue

Ira talks to Joel Gold, a psychologist and author, about a strangely common delusion known as the "Truman Show Delusion," in which patients believe that they are being filmed, 24/7, for a national reality television program.

Act One: Christmas On A High Wire

Some of the best improv actors in the country join us for a special Christmas themed performance recorded live at the Bellhouse in Brooklyn. Scott Adsit, Mike Birbiglia, Aidy Bryant, Chris Gethard, Tami Sagher, and Sasheer Zamata dream up a magical world on stage that’s only possible at Christmas.

Act Two: Sunrise, Sun-Get

Mark Oppenheimer reports on agunah in the Orthodox Jewish community. An agunah is a woman whose husband refuses to give her a divorce – in Hebrew it means "chained wife." If you're an Orthodox Jew, strictly following Jewish law, the only real way to get divorced is if your husband agrees to hand you a piece of paper called a get.