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Act Four: The Not-for-profit Motive

To deal with the financial crisis, our own government has also had to reinvent itself, with questionable consequences. This American Life producer Alex Blumberg and NPR's financial reporter Adam Davidson talk to Brad Setser, an economist at the Council on Foreign Relations who used to work at the U.S. Treasury.

Prologue

Host Ira Glass talks about the way most political apologies go, and chats with a man named Derek Jones about similar sorts of apologies among preteen girls and King David, in the Old Testament.

Prologue

Host Ira Glass tells a story about how, when he was in seventh grade, he was over at his best friend's house and saw beer in the fridge. He'd only ever seen beer in fridges on TV; he didn't think it existed in real life.

Prologue

Marti Noxon used to work for a company that did "product placement" for the movie industry. When auditors came to check that clients were being correctly billed, the company's bosses took unusual steps.

Act Three: Social Studies Lesson

We compare Fox TV talk show host Bill O'Reilly's ideas about the hurricane's aftermath with those of Ashley Nelson, an 18-year-old who lives in the Lafitte Housing projects in New Orleans, in one of the flooded neighborhoods. Among other things, she explains what it feels like to go without food and water for two days.

Prologue

Writer Thomas Frank went on the radio show On Point to talk about his book What's the Matter With Kansas? The book is about how people in his home state keep voting for Republicans even though Republican policies aren't helping them economically. But the people who called in to the radio show didn't exactly see it his way.

Prologue

Susie and John Drury moved to their farm just two years ago. But when John got sick for awhile, people who were no more than friendly acquaintances started helping out in ways that completely surprised them.

Act Four: Electricity

On their way out to a power plant, Nancy and Lee, a supervisor for Fluor in Iraq, get shot at by men in a BMW. When they finally get to the plant, Nancy learns why it's been so difficult to get power plants running again in the country.

Act Four: Who Cares?

While we all may have nagging fears about the war against terror or the war against Iraq, we all have a lot of other things on our minds. We hear 19 eighth-graders' letters to the President, as collected by their teacher, Britt Honeycutt, in rural North Carolina.

Act Five: U.s.a., Me-s.a.

Ira talks with Chicago Public Radio reporter Shirley Jahad about white Chicagoans and Arab-American Chicagoans facing off, each side waving American flags and shouting "U.S.A."...and how each means very different things when they do it.

Prologue

Host Ira Glass talks to Bible scholars Paulene A. Viviano of Loyola University and John Spencer of John Carroll University about the story of the golden calf in the book of Exodus.

Prologue

We hear from Father Jim Kastigar, who got on the wrong side of Town Hall and suffered the kinds of consequences people in Cicero suffer. His parish was denied a permit to hold an outdoor religious ceremony they'd held peacefully for seven years, the youth group's tamale fundraiser was shut down by city inspectors and the parking lot near the church was deemed unfit for Sunday parking.

Act One: Untouchables

To understand how Cicero reacted when Hispanics started flooding into town, you have to understand how it dealt with conflict in the past. For a period the town was run by Al Capone, and the mob was connected to Town Hall for most of the twentieth century.

Prologue

Host Ira Glass talks with Stephen Nissenbaum, author of a history called The Battle for Christmas, which explains when people started believing in a Santa who arrives Christmas Eve carrying presents. It was in 1822, and incredibly, the poem that created our modern idea of Santa is still around, known by heart by tens of millions.

Act Two: Love

Scott Richer and Julie Riggs of Louisville, Kentucky, were supposed to have their first kiss at the corner where South Fourth Street meets the alley behind the West End Baptist Church. But it went wrong.

Prologue

Ira talks about those ephemeral, thrilling radio moments that you happen to catch in passing on stations far away that you never find again. Flipping through the channels.