Browse our archive by

There are 58 results

Prologue

Ira goes to the courtroom of Abraham Lincoln Marovitz, who, at 93, presides over the ceremony to make people citizens. In this setting, it's hard to talk about America as it is.

Act One: Exodus

These teenagers are the children the Christian right has in mind when it holds conferences on what's at stake in America's culture war. On the fourteen-hour drive to West Virginia, we listen to the Backstreet Boys and talk about Dawson's Creek. One of the things that's so interesting about these teenagers is the odd mix of Christian and secular pop in their lives.

Prologue

Host Ira Glass talks about the Four Corners tourist monument where Arizona, Colorado, Utah and New Mexico meet. He proposes creating our own little monument to America: a four corners show depicting life on four street corners across this great nation.

Act One: The Disappearance

Genevieve Jurgensen and her husband Laurent lost their two daughters, Elise and Mathilde, at the ages of 4 and 7. Actress Felicity Jones reads from Jurgensen's book, The Disappearance: A Memoir of Loss, in which Jurgensen tries to explain her children's lives and their deaths to a friend through a series of letters.

Act Two: Mucho Corazon

A man in Amsterdam and a woman in Cuba fall in love, even though their governments don't want them to live together. This story was produced by Chris Brookes and Michele Ernsting for the World Views series of first person narratives, from Homeland Productions.

Act Four: Little Sod Houses For You And Me

Writer Meghan Daum goes to DeSmet, South Dakota, where Laura Ingalls Wilder lived and where many of the books she wrote in the Little House on the Prairie series are set. It turns out to be remarkably similar to what Meghan had pictured before she went: The people seem like they are genuinely trying to hold on to the values Laura Ingalls Wilder writes about in her books.

Act Five: Color Bar

Former South African political prisoner Breyten Breytenbach, on how prison changes all your perceptions in ways that last after you've been released. The painter and poet was interviewed by New Yorker writer Lawrence Weschler for a radio series called Territories of Art, for the Museum of Contemporary Art in Los Angeles in 1986.

Prologue

Host Ira Glass with Eddy Harris. The first time Eddie set foot in a black nation in Africa, a man at the border found out he was an American—a black American—and said "Welcome home." But Eddy Harris says the Motherland doesn't really feel much like home.

Act One: History

Sarah Vowell has a theory that you can tell the entire history of the United States by standing on one street corner—specifically at Michigan Avenue and Wacker Drive in Chicago—and describing all the events that happened within eyeshot of the corner. She covers three centuries of history, from Louis Joliet to Keanu Reeves.

Act Three: Who's Your Daddy?

A reading of a pamphlet written by ex-con Stephen Donaldson for heterosexual men who are about to enter prison, about how to "hook up" with a stronger man —"daddy" or "jocker"—who'll provide protection in return for sex. He explains the rules and mores that govern this part of American prison culture.

Prologue

When the end of time comes, what videos will we watch? Under fundamentalist Christian doctrine, the first thing that will happen during the End Time is that all the good Christians will be whisked suddenly to heaven. We hear clips from Left Behind—a video designed to be played after all the Christians have vanished, by all the people left behind.

Prologue

Ira reads a very brief excerpt from a short story from writer Stuart Dybek called "We Didn't." Dybek fills 11 pages, thousands of words, describing all the things two people do when they're not doing something.

Prologue

This American Life host Ira Glass and producer Susan Burton spent a week in August recording a suburban Chicago youth group at every stage of their very first mission trip. The teenagers were from Covenant Presbyterian Church in Chicago.

Prologue

Host Ira Glass describes the moment when black single mothers became a national political issue—and a national symbol. It was 1965, when a young Assistant Secretary of Labor named Daniel Patrick Moynihan issued a report calling for action on the issue of African-American single mothers, and black leaders, including the Rev.