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Act One: The Fat Blue Line

While riding in a patrol car to research a novel, crime writer Richard Price witnessed a misunderstanding that for many people is pretty much accepted as an upsetting fact of life. Richard Price told this story—which he describes as a tale taken from real life and dramatized—onstage at the Moth in New York.

Act Three: Reruns At The Back Of The Bus

Sarah Vowell identifies a phenomenon that's sort of a cultural rerun. It's an analogy that gets made over and over in different situations: people who often are not black, or women, or in any way involved with civil rights, comparing themselves to Rosa Parks.

Prologue

Host Ira Glass talks to Cory Simmons and Dominique Mapp, who were driving home one night and were followed by a group of rowdy men in an SUV. The men tailed them for miles and then started firing a gun at them.

Act One: Cowboys And Indians, Part 1

Reporter Susan Burton tells the story of a high-speed chase in South Dakota. An incident at a high school basketball game escalated to the point where a group of Native American girls from one town found themselves being chased down the highway by a group of white boys from another town.

Act Two: Cowboys And Indians, Part 2

Susan Burton's story continues. She investigates the effect the high-speed chase had in the town where it happened—Miller, South Dakota, one of the top ten most racially homogeneous places in the country.

Act Three: Newfies

Reporter Chris Brookes had always thought the story was a joke: During World War II, a black sailor from the U.S. washed up nearly dead onshore in Newfoundland, and the white nurses—never having seen a black man—thought he was covered in oil and tried to scrub him clean. But when Brookes finally tracked the sailor down, decades later, it turned the whole thing was true.

Act One: Untouchables

To understand how Cicero reacted when Hispanics started flooding into town, you have to understand how it dealt with conflict in the past. For a period the town was run by Al Capone, and the mob was connected to Town Hall for most of the twentieth century.

Act Two: The Inevitable

In the 1970s and 1980s, a wave of non-white migration into Cicero begins, this one primarily Mexican-American. The head of the political machine is named Betty Loren-Maltese, whose husband, now deceased, was convicted for mob-related activity.

Act Three: War By Other Means

Despite the town's resistance, Hispanics now make up three quarters of the population. And yet the incumbent Town President, Betty Loren-Maltese, seems likely to win the next election.

Act Two: Deceiving Others

Lawrence Otis Graham reads from an account of how he left his job as a $105,000-a-year Manhattan attorney to enter the exclusive Greenwich Country Club the only way they'd allow a black man like him: as a busboy. He discovers just how invisible he can become once he gives up his seat at the table and starts clearing the dishes instead—so invisible that people make racist remarks right in front of him.

Act Three: Notes From A Native Daughter

Is Paris still the racially tolerant place that Richard Wright and James Baldwin discovered in the 1940s? Janet McDonald talks about whether African-Americans are still welcomed in Paris so warmly, even after a half century of African migration to the city. Also: Why it's sometimes better for her to put on a bad American accent.

Act Two: Still Life With Chicken

What happens when a chicken crosses the thin yellow line that divides the animals we eat from the animals we keep as pets. Jonathan Gold, food writer for Gourmet magazine, tells how he accidentally came to adopt a chicken, and what happened to his opinion of chickens afterwards.
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