When Adam and Jamie were kids, Jamie would always ask for Adam's advice, but he didn't want to hear what Adam would say himself. Instead, he wanted Adam to pretend to be an Israeli commando he once knew, named Yakov.

Viola disguises herself as a man, takes a job working for this guy with whom she promptly falls in love. He believes the pretense: He thinks Viola is a man, so he never gives her a second look.

Host Ira Glass with jazz musician Ed Ryder, who was in prison in Pennsylvania for twenty years for a murder it was later proven he did not commit. Ryder played jazz in the pen and out of the pen.

This is a story of a father and son—told by the son, Juan Zaldivar, who was born in Cuba. Juan has spent the past four years shooting a movie about his father, to try to reassure him that he did the right thing to leave Cuba with his family in the 1980s and come to America.

Host Ira Glass talks with Stephen Nissenbaum, author of a history called The Battle for Christmas, which explains when people started believing in a Santa who arrives Christmas Eve carrying presents. It was in 1822, and incredibly, the poem that created our modern idea of Santa is still around, known by heart by tens of millions.

A story that takes place at the crossroads where art meets commerce—a place where we can ask the question: Is the art of commerce better than the art of art? Writer (and occasional screenwriter) Sandra Tsing Loh accompanies a Hollywood screenwriter as he tries to sell a movie idea—a comedy in the style of Liar Liar. (19 minutes)

The story of The Arabian Nights is actually 350 or 400 stories, depending on how you count them. Many of the stories are stories of impossible love, including the very last story in the whole epic tale—the story of Jasmine and Almond.

A father and daughter (Adrian LeBlank and his daughter Adrian Le Blank) decide to write his obituary—together—not really thinking very seriously at first about the real meaning of what they were doing.