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Act Three: Fire And Ice Cream

When a nurse asks a 14-year-old burn victim out for ice cream, is it a date? Brent Runyon tells the story, which was produced by Jay Allison, part of his Life Stories series, with help from Christina Egloff and funding from the Corporation for Public Broadcasting. The story is part of Runyon's book The Burn Journals. Ira then speaks with an interested party.

Act One: Eliminate The Middleman

Here in America, here's how we interact with our political candidates: We dispatch middlemen to the scene, they listen to what the candidates say, they research the candidates' backgrounds, and they tell us what they think is most important. Those middlemen, of course, are journalists.

Act Four: Three More Bubbles

An '88 Grand Marquis that Senator Conrad Burns inherited from his mother; a New York taxicab whose driver, Jeff Perkins, tape-records his passengers to help pass the time; a 1980s-era BMW 5 series in which film producer Rob Levine had his first job as driver and assistant to movie producer Edgar Sherrick.

Act Three: You Don't Have To Be An Einstein

After he died, Albert Einstein became a figure of international kitsch: Appearing in computer and Pepsi ads, showing up a comic character in movies with Meg Ryan, and until very recently his brain was on the loose without his family's consent...in the unauthorized possession of the doctor who did the autopsy, a man named Thomas Harvey. Mike Paterniti took a cross-country roadtrip with Dr Harvey and the brain.

Act One: Thank Heaven For Little Girls — Made Of Plastic

The story of a company trying an experiment at marketing dolls to little girls:A new kind of doll store near Chicago's Magnificent Mile called "American Girl Place." The company has figured out all the ways little girls love dolls and they're trying to sell to nearly every one of those desires. Susan Burton reports that it's as if they've settled into a perch inside little girl's dreams and are selling from there.

Prologue

Host Ira Glass talks about the human urge to turn something inanimate into something that's alive, about the moment Pinocchio stops being a concoction of wood and string and becomes a real boy. He chats with Ronn Lucas, a ventriloquist, about moments when his dummies have seemed alive enough to surprise him.

Prologue

Host Ira Glass describes a children's book from the 1970s called Nobody's Family Is Going to Change by Louise Fitzhugh, the author of Harriet the Spy. On the surface, it sounds like a rather menacing title for a kids' book. But in fact, the story is about how kids can finally find peace if they stop hoping that their parents will ever be any different.

Prologue

Three days into the beginning of the new millenium, Kahari Mosley and Garcia Suzinko left home to do something they'd never done before: They took a twelve-hour bus ride to New Hampshire to volunteer for a Presidential campaign. What they saw...and what moved them to volunteer in the first place.

Prologue

There's a TV ad so popular in Canada right now that people chant it in bars, stand and cheer it in theaters and at hockey stadiums. The ad taps into our desire to be part of a mob...and provides a safe way to do it, without fear.

Prologue

Host Ira Glass talks with people who've been hit by lightning. They describe what happened at the moment the bolt struck ... and how they came to view it later.

Act Two: Kodak Moments Of The Dead

The story of Tyler Cassity and how he's trying to remake one of our oldest rituals of commemoration.Tyler is one of the owners of a cemetery called Hollywood Forever, and he's been introducing 20th century technology to American funerals, which haven't changed much since the Civil War. At Hollywood Forever, the cost of a burial includes a video of your life: to be shown at your funeral, to be viewable at kiosks on the cemetery grounds, and to be posted—for eternity—online.