Reporter Jon Ronson tells the story of how, in the immediate wake of September 11, he became convinced that a man he'd done a story on was responsible for the Anthrax attacks in America. So he did something he'd never done before, he ratted out his source to the FBI.

An audio diary of two people using the classified ads to find jobs. Produced by Joe Richman, the awarding winning producer of the series Radio Diaries.

The TV show America's Funniest Home Videos has an archive of over half-a-million video clips. Ira talks with Todd Thicke, the show's co-executive producer, and Trace Beaulieu and Mike Palleschi, two of the show's writers, about what all that footage tells them about Americans that the rest of us don't know.

Alix Spiegel reports on the "Recovered Memory" movement. In the early 1990s people across America turned to experts in psychology for help...and many people were told that the source of their problems could be traced to traumatic events they could not even remember, to memories that had to be recovered through special techniques.

Ira interviews three of the people involved in making the documentary How's Your News?, about a team of developmentally disabled people who travel across the country doing man-on-the-street interviews. He talks to two of the developmentally disabled reporters, Susan Harrington and Joe Simon, and to the film's non-disabled director, Arthur Bradford.

A fable of how America got its name, and how it was named after someone who was a fraud, but the kind of fraud people love, the kind of fraud who knows how to please a crowd. Jack Hitt tells the racy and little-known story of how Amerigo Vespucci got his name all over the map of the western hemisphere by telling lies about what he found there—the type of lies which can be found today in the pages of Penthouse magazine.

Jon Ronson tells the story of how his parents decided to commission a family portrait, and how things went awry because of the brilliant but troubled local artist they hired for the job. In the story, Jon circles in a reluctant orbit around his parents, and his parents are in a rather energetic orbit of their own.

Host Ira Glass plays tape from the documentary TV series American High of a teenager fighting with his parents about which car he can take out that night. Every family has its own way of fighting and its own particular family dynamic, and if things go terribly bad, it's often hard to figure how the bad things could've been prevented.

Home movies usually don't have much of a plot—one of the many ways they differ from Hollywood movies. But reporter Susan Burton has a lifetime of home movies, which together describe a very Hollywood plot, about how she remade herself from a friendless nerd into a popular girl.

For an Iraqi perspective on the war, we hear from Iraqis who've just crossed over the border into Jordan. It's the only open border with Iraq and 150,000 Iraqis live in Amman.

Sarah Vowell identifies a phenomenon that's sort of a cultural rerun. It's an analogy that gets made over and over in different situations: people who often are not black, or women, or in any way involved with civil rights, comparing themselves to Rosa Parks.

Host Ira Glass talks with NPR's Car Talk hosts Tom and Ray Maggliozi and a former employee of theirs, Joe Richman. Ray once fixed Joe's beloved '72 Plymouth Valiant, a repair job which hastened it to its grave...but probably got Joe a girlfriend.

How does the Devil work? We hear stories from five different people who say they found themselves inexplicably doing something random and bad, something which made no sense to them at all. Host Ira Glass explains why this might be, cadging a bit from C.S.

Host Ira Glass explains that when you name names, when you whistleblow, when you tell on someone, you often do it anonymously. We hear from one anonymous squealer, who was done wrong by her doctor—he messed up a procedure and then refused to fix it.

Host Ira Glass talks with a bunch of special ed students. By and large, they thought of themselves as regular kids—until each experienced a shocking moment of revelation when they discovered that they were not the same as other kids, and that the other kids already knew that...and had known for a long time.

Novelist Miriam Toews, author of The X Letters (which appeared in an earlier episode of the show), tells the story of a road trip she took with her 15-year-old son.

There's a whole nation where the idea of suckerdom permeates almost every aspect of culture and politics. Adam Davidson reports on the Israeli word "freier," which literally translates as sucker, but means much, much more.

Starlee Kine tells the story of a man more obsessed with reruns than even she is. Director Trent Harris made a movie called The Beaver Trilogy.

Ira's conversation with Erin Einhorn continues. She talks about the possible reasons that, 50 years after Auschwitz, 10,000 Polish hipsters will now show up to see a Klezmer music concert.

Susan Burton's story continues. She investigates the effect the high-speed chase had in the town where it happened—Miller, South Dakota, one of the top ten most racially homogeneous places in the country.

John Hodgman first encountered Cuervo Man on a press junket to Cuervo Nation, a small island owned by Jose Cuervo Tequila. Cuervo Man was wearing nothing but a Speedo, wraparound shades, and a red cape.