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There are 61 results for "the questions trap"

Prologue

Host Ira Glass tells the story of a report by the U.S. intelligence community back in October 2002 that declared that the likelihood of Saddam Hussein using weapons of massive destruction was very low for the "foreseeable future"...unless the U.S. were to launch a military attack on Iraq. In other words, the war to stop him from using weapons of mass destruction would probably cause the thing it was designed to prevent.

Prologue

Host Ira Glass surveys the effects DNA has had on the criminal justice landscape. He talks with Huy Dao, at the Innocence Project, where they are waist-deep in 2,000 letters from prisoners claiming DNA can prove them innocent.

Act One: Life Indoors

Nancy Updike reports that life under curfew in Ramallah can be, among other things, intensely boring. She also tells the story of Sam Bahour, a Palestinian who was born and raised in Ohio, who came back to the West Bank in 1995, when peace seemed possible, to help build the Palestinian state.

Prologue

Host Ira Glass surveys various productions of Hamlet being staged around the country: At community colleges in Brooklyn and Honolulu, on a professional stage in Boston, and at a Shakespeare camp for kids in San Francisco—where all the scenes are death scenes.

Prologue

How does the Devil work? We hear stories from five different people who say they found themselves inexplicably doing something random and bad, something which made no sense to them at all. Host Ira Glass explains why this might be, cadging a bit from C.S.

Act One: Get On The Mic

Ira interviews three of the people involved in making the documentary How's Your News?, about a team of developmentally disabled people who travel across the country doing man-on-the-street interviews. He talks to two of the developmentally disabled reporters, Susan Harrington and Joe Simon, and to the film's non-disabled director, Arthur Bradford.

Act Two: Snitch

The story of how common and perfectly legal police interrogation procedures, procedures without violence or torture, were able to get an average fourteen-year-old suburban kid to confess to murdering his own sister...even though DNA evidence later proved that he hadn't done the crime.

Prologue

Producer Alex Blumberg explains that he wanted to do this show because of his conflicted relationship with his own testosterone. He tells host Ira Glass that the reasons go back to a girl in his eighth-grade homeroom and the 1970s seminal feminist novel The Women's Room. We also hear from a man who stopped producing testosterone due to a medical treatment and found that his entire personality was altered.

Act Three: Beating The Erasers

Susan Drury tells the story of what happens when one of the most respected men in town gets accused of sexual harassment by one of the most trusted women in town. For a lot of the townspeople it was a difficult decision, but they chose to believe him over her.

Prologue

Host Ira Glass talks with Sarah Koenig, about the first and only time a movie star came over to her family's house when she was a kid, and how it didn't go too well, for the celebrity or for her. The movie star, Robert Redford, ended up stealing all her parents' attention, attention they usually lavished on Sarah, the youngest.

Act Five: The Accursed Items

J. Robert Lennon reads an excerpt from his short story "The Accursed Items," in which he demonstrates that even objects can fulfill a fate different from the one for which they were intended. Even inanimate objects can have a plan B.

Act Two: The Jackson Two

Congressman Jesse Jackson, Jr. already had one other man in his life who shared his name—his world famous father, the Jesse Jackson. But then right before his most recent primary race, an aide told him that he now had another Jesse Jackson to contend with.

Act One

In 1973, the American Psychiatric Association (APA) declared that homosexuality was not a disease simply by changing the 81-word definition of sexual deviance in its own reference manual. It was a change that attracted a lot of attention at the time, but the story of what led up to that change is one that we hear today, from reporter Alix Spiegel.