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Prologue

Host Ira Glass interviews author Alain de Botton about why so many of us choose the wrong spouses. Botton is the author of the new novel The Course of Love.

Act Two: Sunrise, Sun-Get

Mark Oppenheimer reports on agunah in the Orthodox Jewish community. An agunah is a woman whose husband refuses to give her a divorce – in Hebrew it means "chained wife." If you're an Orthodox Jew, strictly following Jewish law, the only real way to get divorced is if your husband agrees to hand you a piece of paper called a get.

Prologue

A man discovers that his wife is cheating on him, and turns for advice to someone he's sure will have his back: his lawyer in the separation proceedings. Unfortunately for him, this is the worst person he could be turning to for advice...because his wife is cheating with the lawyer.

Act One: Dr. Phil

In the wake of a break-up, writer Starlee Kine finds so much comfort in break-up songs that she decides to try and write one herself—even though she has no musical ability whatsoever. For some help, she goes to a rather surprising expert on the subject: Phil Collins.

Act Two: But Why?

Eight-year-old Betsy Walter goes on a campaign to understand her parents' divorce.

Act Three: Let No Court Put Asunder

Ira talks with divorce mediator Barry Berkman about why it's bad when the justice system gets involved in a break-up. Barry specializes in matrimonial law and is a member of The New York Association of Collaborative Professionals, which he helped found.

Act Four: Divorce Is Rrruuffff!

What divorce looks like from the dog's point of view. This monologue was performed by Merrill Markoe and recorded at Un-Cabaret in Los Angeles.

Act Two: The Grandma Letters

Will Seymour reads letters he and his grandmother exchanged when he was in high school. He was miserable at the time—his parents had just gotten divorced and he had no friends—and so was his grandma.

Act Three: My Angel's In The Centerfolds

When Emily Helfgot was ten, her dad was a sex therapist on a call-in radio show, which thoroughly embarrassed her. He also kept a stack of Playboy magazines in their house, in plain sight.

Prologue

We hear Billie Holliday, Keely Smith and Leo Reisman (with Anita Boyer) asking the musical question, "What Is This Thing Called Love?" And, reporter Sean Cole talks about love with Joe and Helen Garland, who fell in love during World War II, but married other people. Thirty years later they met again, felt the same love they felt when they were young, divorced their respective spouses, and finally married each other.

Prologue

Host Ira Glass talks with This American Life producer Julie Snyder about a personal regime change that happened when she was a kid, after her parents got divorced and her stepdad came on the scene. She says that by the time her parents separated, literature on what to tell the children was everywhere, and the kids took it relatively well.

Prologue

Leah remembers when her parents got divorced and her dad, a farmer in North Dakota, moved to an apartment in town. It was cramped and ugly, and it had a Murphy bed that made a horrible creak when you brought it down from the wall.

Act One: Driving The Divorcemobile

A collection of small stories, all on the the theme introduced in the prologue—the first few months after the divorce, and suddenly, your parents are less composed, more flawed, and more human, than perhaps you've ever seen them.