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Act One: A Phone Flickers in the Dark

Abdurahman Tohti left his home country, China, behind 7 years ago to move to Turkey, safe from the Chinese regime that discriminates and arbitrarily detains Uyghurs, specifically, which Abdurahman is. Reporter Durrie Bouscaren talks to him about what happened to his wife and children and extended family in China, and the endless challenges he faces trying to be sure they are safe.

Act Two: Thank You for Smoking

People don’t have a lot of money in the refugee camps, and our producer Miki Meek went to see what that’s like at a camp that’s been built on the grounds of an abandoned psychiatric hospital. About 1,300 people are living there.

Act 4: Fourth Stop

A lot of people lost their homes during Katrina, but a lot of people lost their homes afterward, too—in ten years of post-storm debt, foreclosures, and hard loans. Zoe Chace talked with Roy Bradley, a Saints fan who’s facing losing his house right after he rebuilt it.

Act Two: Unsafety Exit

Chana Joffe-Walt tells the story of a teenager named Michael. Like a lot of teenagers Michael decides to follow his dreams — and that to follow his dreams, he’s going to need to make a total change.

Act Two: Wonder Woman

Kelly McEvers with the story of Zora, a self-made superhero. From the time she was five years old, Zora had recurring dreams in which she was a 6'5" warrior queen, who could fly and shoot lightning from her hands.

Act Two: Foul Play

Ira with This American Life producer Alex Blumberg, about a kind of institutionalized crybabying in pro basketball called "the flop." Alex started to wonder if the story basketball fans tell themselves about the origins of the flop is true, and turned to Tommy Craggs at the sports blog Deadspin.com.

Act Three: Invisible Girl

Scott Carrier and his family live in the same Salt Lake City neighborhood as Elizabeth Smart, the fourteen-year-old whose kidnapping made international news in 2002. Though pictures of Smart were everywhere in Salt Lake City, and thousands of volunteers searched for her, her captors brought her back to the neighborhood she was taken from, and they walked freely through the streets with her.

Act One: Crunk In The Trunk

David Segal of the Washington Post investigates the competitive world of db drag racing ("db" stands for "decibels"), where people customize their cars with stereos so loud that they can't actually be played—or listened to—at least not without risking a nose bleed.