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Act One: White Like Me

David Rakoff on how he tried to pass as a local once he moved from Toronto to New York. He claims that there must be a chip in his head — or something like it — that automatically tells him when someone or something famous is Canadian.

Act Four: Three More Bubbles

An '88 Grand Marquis that Senator Conrad Burns inherited from his mother; a New York taxicab whose driver, Jeff Perkins, tape-records his passengers to help pass the time; a 1980s-era BMW 5 series in which film producer Rob Levine had his first job as driver and assistant to movie producer Edgar Sherrick.

Prologue

Host Ira Glass reads an ad from American Handgunner. People who love guns and people who hate them have a hard time seeing eye to eye, but this ad bridges the gap. As this week's show does.

Prologue

More than England, or Japan or Israel.... When we think of South Africa, it's a more interesting mirror of the United States than nearly any country, because we glimpse a distant echo of the most frightening parts of American society — and the most inspiring.

Act Three

What's French for French Fries? David Sedaris has been following the diplomatic fiascoes of the last few months from Paris, where he lives. Relations between France and the U.S. have been so horrible these days we asked him how it seemed from over there.

Act One: Lies Become the Truth

Ira's quest continues. He calls his Uncle Lenny, who gets his news from Fox and the Wall Street Journal, and lives with an entirely different set of facts, and Alex Nowrasteh, an immigration expert at the CATO Institute, who explains that the central issue in Donald Trump’s candidacy is based on something that isn’t true.

Act Three: Mall Rat

John Hodgman provides an occasionally true account of seven days spent at the Mall of America. After crossing mall officials, he goes rogue, drinking from the flume ride and exploring what he describes as a secret tunnel lined with human skulls.

Prologue

Ira talks about those ephemeral, thrilling radio moments that you happen to catch in passing on stations far away that you never find again. Flipping through the channels.