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Act One: Dr. Phil

In the wake of a break-up, writer Starlee Kine finds so much comfort in break-up songs that she decides to try and write one herself—even though she has no musical ability whatsoever. For some help, she goes to a rather surprising expert on the subject: Phil Collins.

Act Two: Suburban Girl

Chicago writer/musician Rennie Sparks, a member of the independent band The Handsome Family, reads "Skanks," a story of a girl struggling in a situation where some rules are strict, but other rules are up for grabs.

Prologue

We hear Billie Holliday, Keely Smith and Leo Reisman (with Anita Boyer) asking the musical question, "What Is This Thing Called Love?" And, reporter Sean Cole talks about love with Joe and Helen Garland, who fell in love during World War II, but married other people. Thirty years later they met again, felt the same love they felt when they were young, divorced their respective spouses, and finally married each other.

Act One: The Chasm Between Comedy And Music

Why is it that karaoke machines only have songs on them? If what they do is take a version of a public performance and allow the rest of us to give our own interpretations of the material, why aren't there other options, like the "you talkin to me?" scene from Taxi Driver, or Martin Luther King, Jr.'s "I Have a Dream" speech. Jonathan Goldstein and producer Starlee Kine find out why when they go to a karaoke club that has, along with all the songs, comedy routines for people to perform.

Act Two: When The Telephone Is Your Medium

Sure you can try to get your pop songs onto records, or on the radio, or onto MTV. But what happens if your medium of choice is ... the telephone? Before they had record contracts, the band They Might Be Giants distributed their songs through the medium of Answering Machine.

Act Two

Josh Seftel and Rich Robinson's trek across South Africa continues. They head to the "South African Woodstock" and to a group that's half Nancy Reagan's "Just Say No" campaign and half terrorist campaign.

Act Three

Peter Clowney reports on Christmas at the Faith Tabernacle Baptist Church. Music from Faith Tabernacle Baptist Church all through the hour.

Prologue

We listen in on a ritual that happens in millions of families every week: kids getting dropped off at the babysitters. Six-year-old Dylan and nine-year-old Sarah explain what they can and can't get away with when they have a babysitter.After that, host Ira Glass has a few words about Mary Poppins, who is the Gold Standard of all fictional babysitters.

Prologue

Host Ira Glass talks with producer Alex Blumberg and his parents about a bad dog they once had, and how nothing—not getting hit by cars, attacked by bigger dogs, or being shipped off to live on a farm—could stop this dog from coming home. "The Cat Came Back" is sung by Nedelle Torrisi.

Act One: Eat My Shorts

A hedge fund named Magnetar comes up with an elaborate plan to make money. It sponsors the creation of complicated and ultimately toxic financial securities...while at the same time betting against the very securities it helped create. Planet Money's Alex Blumberg teams up with two investigative reporters from ProPublica, Jake Bernstein and Jesse Eisinger, to tell the story.