Browse our archive by

Act Three: Restrictions May Apply

Ira goes to one of the nation's great manufacturers of fine print: The U.S.Congress. He reports on a recent House subcommittee hearing on a practice in the health insurance industry—buried in that industry's own fine print—called rescission.

Act One: Our Own Worst Enemy?

In this election year, one question is rarely asked in a very direct way: Is the Bush Administration competent at conducting the war on terror? Every few weeks it seems like there's more news about how badly it's going: Senior Administration officials like Colin Powell now admit the insurgency in Iraq is growing; terror suspects like Yasir Hamdi (who supposedly were so dangerous that having a lawyer talk to them about their case would compromise national security) are released without trial because the evidence against them is so flimsy; there was the Abu Ghraib prison scandal; and just this week, the former head of the U.S. operation in Iraq, Paul Bremer, declared the problem from the start was that there were not enough troops there. Host Ira Glass discusses whether the Bush Administration is simply not very skilled at fighting terror with Richard Perle and James Fallows.

Act One: The Chasm Between Comedy And Music

Why is it that karaoke machines only have songs on them? If what they do is take a version of a public performance and allow the rest of us to give our own interpretations of the material, why aren't there other options, like the "you talkin to me?" scene from Taxi Driver, or Martin Luther King, Jr.'s "I Have a Dream" speech. Jonathan Goldstein and producer Starlee Kine find out why when they go to a karaoke club that has, along with all the songs, comedy routines for people to perform.

Act Two: Letters To Home

One way to understand what war will be like is to understand what past wars were like. Andrew Carroll recently started something called the Legacy Project, which collects letters Americans wrote home during wartime, from the Civil War up through the conflicts in the Persian Gulf and Bosnia.

Act Three: What Peacetime Forgets About Wartime

An excerpt from a story that writer Lee Sandlin wrote for the Chicago Reader about what it is that makes wartime different and about the particular psychology of being at war. It was a massive historical article, exhaustively researched.

Act Two: Wonder Woman

Kelly McEvers with the story of Zora, a self-made superhero. From the time she was five, Zora had recurring dreams in which she was a 6'5" warrior queen who could fly and shoot lightning from her hands.

Act Three: Notes From A Native Daughter

Is Paris still the racially tolerant place that Richard Wright and James Baldwin discovered in the 1940s? Janet McDonald talks about whether African-Americans are still welcomed in Paris so warmly, even after a half century of African migration to the city. Also: Why it's sometimes better for her to put on a bad American accent.

Act Three: The Hissing Of Winter Lawns

What happens when a crowd converges over something they strongly believe in, for weeks, and months, in front of television cameras that never go away? To what degree does that change the character of being in a crowd? A few days before Elian Gonzalez was seized by Federal authorities, reporter Alix Spiegel went to the lawn of his home, where activists camped out 24 hours a day.

Act One: What's Wrong With This Picture?

The story of how a person could be sentenced to 19 years for drug possession—even if police found no drugs, drug money, residue or paraphrenalia—even if it's a first offense. Dorothy Gaines was an Alabama nurse with no prior record and no physical evidence of any drugs who was sentenced to 19 years.

Act Two: How We Got Here

We hear the history of why these drug laws were enacted from a firsthand witness. Eric Sterling was the lawyer in charge of drug laws for the House Judiciary Committee during the 1980s, when mandatory minimums were put in place.